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Gazette du Bon Ton

Print
1920 (published)
Artist/Maker
Place of origin

This is a plate taken from the Gazette du Bon Ton, a hugely influential fashion magazine published between November 1912 and December 1925 (with a break during World War I) by Lucien Vogel. This magazine published the latest fashion styles aiming at an exclusively elite market available only to subscribers. Vogel established contracts to represent the fashions of a number of well-known fashion houses including that of Paul Poiret, Jacques Doucet, Worth, Paquin Beers, and Lanvin. Alongside this the magazine included theatre reviews and essays. In the first edition Vogel said ‘The clothing of women is a pleasure for the eye that cannot be judged inferior to the other arts’. To illustrate the designs of the fashion houses he employed the most prominent avant-garde artists and the plates produced in richly hand-coloured stencil technique of Pochoir that defined the Art Deco illustration style. The illustrations did not just represent the fashion designs but placed them in settings reflecting modern lifestyles and interiors. Many of the artists later went on to work for important American magazines such as Vogue and Harper’s Bazaar.

André Edouard Marty (1882-1974) was one of the premier artists of Art Deco style, producing illustrations as well as designs for theatre cinema and ceramics and jewelery. He was a central designer for the Gazette, featuring in every year of publication. He also contributed to other important magazines such as Modes et Manières d’Aujord-hui and Fémina, and in America Vogue, Harper’s Bazaar.

Object details

Categories
Object type
Titles
  • Gazette du Bon Ton (series title)
  • Vous ne Serez Jamais Prêts (assigned by artist)
Materials and techniques
Pochoir print
Brief description
Pochoir print. Plate from Gazette du Bon Ton by A.E. Marty. 'Vous ne Serez Jamais Prêts', depicting evening dress by Doeuillet, 1920.
Physical description
A scene in the interior of a fashionable house looking out through French windows to a couple in matching suits in brown who have just arrived for dinner. The lady of the house is wearing a dinner dress of blue top and brown skirt with cherry blossom decoration. In the interior of the house is a parquet floor and on the wall to the left, a picture of a seascape featuring palm tree and a sailing ship.
Dimensions
  • Sheet height: 24.5cm
  • Sheet width: 19cm
Styles
Marks and inscriptions
  • VOUS NE SEREZ JAMAIS PRÊTS / Tailleur et Robe de dîners, de Doeuillet (Below centre)
  • A.E. Marty. 1920 (Lower right)
  • Gazette du Bon Ton. - No 3 (Lower left)
  • CLV. (In circle, lower right)
  • Avril 1920. - Pl. 22 (Lower right)
Credit line
Given by Colin Barrett
Subjects depicted
Summary
This is a plate taken from the Gazette du Bon Ton, a hugely influential fashion magazine published between November 1912 and December 1925 (with a break during World War I) by Lucien Vogel. This magazine published the latest fashion styles aiming at an exclusively elite market available only to subscribers. Vogel established contracts to represent the fashions of a number of well-known fashion houses including that of Paul Poiret, Jacques Doucet, Worth, Paquin Beers, and Lanvin. Alongside this the magazine included theatre reviews and essays. In the first edition Vogel said ‘The clothing of women is a pleasure for the eye that cannot be judged inferior to the other arts’. To illustrate the designs of the fashion houses he employed the most prominent avant-garde artists and the plates produced in richly hand-coloured stencil technique of Pochoir that defined the Art Deco illustration style. The illustrations did not just represent the fashion designs but placed them in settings reflecting modern lifestyles and interiors. Many of the artists later went on to work for important American magazines such as Vogue and Harper’s Bazaar.

André Edouard Marty (1882-1974) was one of the premier artists of Art Deco style, producing illustrations as well as designs for theatre cinema and ceramics and jewelery. He was a central designer for the Gazette, featuring in every year of publication. He also contributed to other important magazines such as Modes et Manières d’Aujord-hui and Fémina, and in America Vogue, Harper’s Bazaar.
Collection
Accession number
E.263-2014

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Record createdApril 11, 2013
Record URL
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