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Test Piece

1990 (made)
Artist/Maker
Place of origin

Diana Hobson (born 1943) trained at the Royal College of Art (MA, Metals, 1973-76) and taught at Camberwell School of Arts between 1979-87. She now lives in California. She has travelled, taught and exhibited widely and won awards for her work which features in the permanent collections of a number of museums internationally.

During the 1970s Diana became interested in reviving the almost forgotten technique of pâte-de-verre which had been developed in France by Henri Cros (1840-1907) at the end of the nineteenth century. She produced fine semi-translucent vessels of press-moulded crushed glass fired at 700°C. The Museum has several examples of her finished work. Her presentation to the V&A of her experimental pieces in 2003-04 has furnished the Collection with an invaluable technical context and insight into the artist's methods.


Object details

Category
Object type
Materials and techniques
Pâte-de-verre glass
Brief description
Test piece, pâte-de-verre trial, decorated in tan, ochre and indigo bands, made by Diana Hobson, London,1990
Physical description
Irregularly-shaped piece of pâte-de-verre glass made for the purpose of technical experimentation, decorated in tan, ochre and indigo bands. One edge is shaped as zig-zags.
Dimensions
  • Height: 8cm (approx.)
  • Width: 12cm (approx.)
Uneven shape
Credit line
Given by Diana Hobson
Production
The experiments were preparatory to work produced for an exhibition at the Kurland Summers Gallery, Los Angeles, USA, 1990.
Summary
Diana Hobson (born 1943) trained at the Royal College of Art (MA, Metals, 1973-76) and taught at Camberwell School of Arts between 1979-87. She now lives in California. She has travelled, taught and exhibited widely and won awards for her work which features in the permanent collections of a number of museums internationally.

During the 1970s Diana became interested in reviving the almost forgotten technique of pâte-de-verre which had been developed in France by Henri Cros (1840-1907) at the end of the nineteenth century. She produced fine semi-translucent vessels of press-moulded crushed glass fired at 700°C. The Museum has several examples of her finished work. Her presentation to the V&A of her experimental pieces in 2003-04 has furnished the Collection with an invaluable technical context and insight into the artist's methods.
Bibliographic references
  • Diana Hobson, 'Pâte-de-verre: Research into the Techniques', unpublished thesis, 1981
  • Diana Hobson, 'Breaking the Mould', Crafts Magazine Sept/Oct 1983, no.64
Collection
Accession number
C.36-2013

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Record createdMarch 18, 2013
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