Ensemble
1973-4 (made)
Artist/Maker | |
Place of origin |
Mary Quant’s first boutique, Bazaar, opened in London's King's Road in 1955, launching a successful fashion career. Her youthful easy-to-wear clothing became so popular that in 1963, she launched a lower-priced ready-to-wear range called 'Ginger Group'. She also entered into licensing agreements with manufacturers to produce hosiery, underwear, cosmetics and accessories bearing her name. Almost anyone, whatever their income, could spare the money to buy a pair of 'Mary Quant' stockings or a lipstick. This enabled girls who could not otherwise afford her clothing to feel in touch with fashion, and made Mary Quant a household name.
By 1970, Mary Quant and her business partners closed the Bazaar boutiques to focus on the licencing business, although Quant continued to design good quality ready-to-wear fashion retailed in department stores and independent boutiques under her own name. This outfit comes from the wardrobe of Pamela Howard Mace (1932-2008), who had a long career in fashion, after starting work in London for the magazine Home Notes, at the age of sixteen. She moved to South Africa for a while, but returned to London in 1962, where she worked for Mary Quant as her PA, becoming design director in 1968 until the late 1970s. The surviving clothes from her time at Mary Quant show the evolution of the Quant style, from minimal mod fashion in the 1960s, through to the more vintage-inspired designs and synthetic textiles of the mid-1970s.
By 1970, Mary Quant and her business partners closed the Bazaar boutiques to focus on the licencing business, although Quant continued to design good quality ready-to-wear fashion retailed in department stores and independent boutiques under her own name. This outfit comes from the wardrobe of Pamela Howard Mace (1932-2008), who had a long career in fashion, after starting work in London for the magazine Home Notes, at the age of sixteen. She moved to South Africa for a while, but returned to London in 1962, where she worked for Mary Quant as her PA, becoming design director in 1968 until the late 1970s. The surviving clothes from her time at Mary Quant show the evolution of the Quant style, from minimal mod fashion in the 1960s, through to the more vintage-inspired designs and synthetic textiles of the mid-1970s.
Object details
Categories | |
Object type | |
Parts | This object consists of 2 parts.
|
Materials and techniques | Printed cotton |
Brief description | Ensemble of waistcoat and skirt, printed cotton, red and white spots and stripes, Mary Quant, c.1974 |
Physical description | A front-fastening top of red cotton printed with white spots, sleeveless and cut to tie at the waist. A matching skirt of panels of the same printed spotted cotton, pieced with printed cotton in stripes and a smaller scale spot, with diagonal seams, to form a skirt fitted at the hips and flaring out to the hem. |
Production type | Ready to wear |
Marks and inscriptions | Mary Quant's Ginger Group / MADE IN ENGLAND (Woven label stitched inside back of neck) |
Credit line | Given by Linda Kirby in memory of her godmother, Pamela Howard Mace |
Object history | Worn by Pamela Howard Mace (1932-2008) |
Summary | Mary Quant’s first boutique, Bazaar, opened in London's King's Road in 1955, launching a successful fashion career. Her youthful easy-to-wear clothing became so popular that in 1963, she launched a lower-priced ready-to-wear range called 'Ginger Group'. She also entered into licensing agreements with manufacturers to produce hosiery, underwear, cosmetics and accessories bearing her name. Almost anyone, whatever their income, could spare the money to buy a pair of 'Mary Quant' stockings or a lipstick. This enabled girls who could not otherwise afford her clothing to feel in touch with fashion, and made Mary Quant a household name. By 1970, Mary Quant and her business partners closed the Bazaar boutiques to focus on the licencing business, although Quant continued to design good quality ready-to-wear fashion retailed in department stores and independent boutiques under her own name. This outfit comes from the wardrobe of Pamela Howard Mace (1932-2008), who had a long career in fashion, after starting work in London for the magazine Home Notes, at the age of sixteen. She moved to South Africa for a while, but returned to London in 1962, where she worked for Mary Quant as her PA, becoming design director in 1968 until the late 1970s. The surviving clothes from her time at Mary Quant show the evolution of the Quant style, from minimal mod fashion in the 1960s, through to the more vintage-inspired designs and synthetic textiles of the mid-1970s. |
Collection | |
Accession number | T.29:1&2-2013 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | March 7, 2013 |
Record URL |
Download as: JSON