Brighton Beach

Oil Sketch
12 June 1824 (made)
Brighton Beach thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Paintings, Room 88, The Edwin and Susan Davies Galleries
Artist/Maker
Place Of Origin

Oil sketch entitled 'Brighton Beach'.


object details
Category
Object Type
Materials and Techniques
Oil on paper
Brief Description
Oil sketch, 'Brighton Beach' by John Constable, British School, 1824
Physical Description
Oil sketch entitled 'Brighton Beach'.
Dimensions
  • Estimate height: 12cm
  • Estimate width: 29.7cm
  • Frame height: 41.8cm
  • Frame width: 57cm
  • Frame depth: 4cm
Style
Marks and Inscriptions
  • June 12 1824 (Inscribed on the back in pencil by the artist. This inscription is repeated in pencil and ink in another hand.)
  • taking the air [crossed out] Squaly day (Also inscribed in ink, with deletions as shown.)
Credit line
Given by Isabel Constable
Object history
Given by Isabel Constable, 1888



Historical significance: In his letter to Fisher of 29 August 1824 (Beckett, VI, pp. 170-2), Constable gives an unflattering description of Brighton and concludes: "In short there is nothing here for a painter but the breakers-& sky-which have been lovely indeed and always varying. The fishing boats are picturesque, but not so much so as the Hasting boats which are luggers ... But these subjects are so hackneyed in the Exhibition, and are in fact so little capable of that beautifull sentiment that landscape is capable of or which rather belongs to landscape, that they have done a great deal of harm to the art -they form a class of art much easier than landscape & have in consequence almost supplanted it ... " Constable had offered to lend Fisher one of his Brighton sketch-books but was eventually unable to do so because of the suggestion that the sketches should be engraved (see note following No. 284). In place of them he sent a number of oil sketches . He refers to them in his letter of 5 January 1825 (Beckett, VI, p.189): I have enclosed in the box a dozen of my Brighton oil sketches-perhaps the sight of the sea may cheer Mrs F-they were done in the lid of my box on my knees as usual. Will you be so good as to take care of them. I put them in a book on purpose -as I find dirt destroys them a good deal. Will you repack the box as you fmd it. Return them to me here at your leisure but the sooner the better". In his letter of [6] April 1825 (Beckett, VI, p. 196) Fisher speaks of returning the Brighton sketches, and sending with them two volumes of Paley's sermons: "They are fit companions for your sketches, being exactly like them: full of vigour, & nature, fresh, original, warm from observation of nature, hasty, unpolished, untouched afterwards".

The inscription on the back of No. 266 [Museum No. 591-1888] shows that it was almost certainly one of the Brighton oil sketches in this batch sent by Constable to Fisher. Others among the sketches certainly painted in this year (Nos. 263-265, 267 and 268) [Museum No. 782-1888; 783-1888;148-1888; 335-1888;149-1888] may well have been included in the consignment.
Historical context
In 1824 Constable's sole exhibit at the Royal Academy was 'A Boat passing a Lock' ('The Lock') (now in the collection of Mr. S. Morrison). 'The Hay Wain', the 'View on the Stour near Dedham' and a 'View of Hampstead Heath' were exhibited at the Salon in Paris in this year. He took his wife and family to Brighton for the first time in May, and himself spent some time in London and some with them in Brighton, returning before them at the end of August.
Subject depicted
Place Depicted
Bibliographic References
  • Gray, Anne and John Gage, Constable: impressions of land, sea and sky, National Gallery of Australia, Canberra, 2006
  • Catalogue of the Constable Collection, Graham Reynolds, Victoria and Albert Museum, London: HMSO, 1973, cat. no. 264
  • p. 100Shân Lancaster, ed. Constable and Brighton: something out of nothing. London : Scala Arts & Heritage Publishers Ltd, 2017. ISBN: 9781785510694.
Other Number
264, plate 200 - Reynolds catalogue no.
Collection
Accession Number
783-1888

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest Feedback

record createdJuly 17, 2006
Record URL