Enamelled gold mourning ring, the hoop inscribed in reserve on black enamel BOYNTON. LANGLEY.ESQ: OB: 5 JAN 1772 AE 32. England, dated 1772

Enamelled gold mourning ring, the hoop inscribed in reserve on black enamel BOYNTON. LANGLEY.ESQ: OB: 5 JAN 1772 AE 32.

Given by the Rev. R. Brooke

Part of the Brooke collection donated to the V&A in 1864. The Brooke collection includes objects relating to the Brooke family along with the Osbaldestons, who were closely related.

“The Reverend R. Brooke, Gateforth House, Selby, presented, in February 1864, a collection of articles of personal use of the 17th and 18th centuries, being the accumulated memorials of an English family for three or four generations; the most important are watches, rings, seals, lace and court dresses; the total number of objects is 396.” The gift also included 718 books for the new National Art Library. Brooke stipulated that the collection should be kept together and labelled as the ‘Brooke of Gateforth Gift’. (Eighteenth Report of the Science and Art Department of the Committee of Council on Education, London, 1865, pp.40-41).

The minutes also stipulate “That Mr and Mrs Brooke, and the future possessors of the ‘Gateforth Estate’, provided they bear the name and are of the present family of ‘Brooke’, to have the privilege secured to them (by memorandum recorded in the Books of the Museum, and by possession of a Free Pass Ticket) of entrance into the Museum and Library and the Horticultural Gardens attached, on the holding of any scientific or other meetings, and on all other public occasions.’

Boynton Langley lived at Wycombe Ubley, Yorkshire

From the early seventeenth to the end of the nineteenth century, testators left money in their wills to have rings with commemorative inscriptions made and distributed to their friends and families. Simple bands enamelled with the name and life dates of the deceased were frequently made, sometimes set with a gemstone or a bezel set with a rock crystal covering a symbol such as a coffin or initials in gold wire. In the later 18th century, rings followed neo-classical designs, their oval bezels often decorated with the same designs as funerary monuments such as urns, broken pillars and mourning figures. Hair from the deceased was incorporated into the designs or set in a compartment at the back of the ring to give each jewel a uniquely personal element. Black or white enamel were favoured though white enamel was often, though not universally used to commemorate children and unmarried adults.

647-1864