Not on display

Mourning Ring

1722 (dated)
Artist/Maker
Place of origin

From the early seventeenth to the end of the nineteenth century, testators left money in their wills to have rings with commemorative inscriptions made and distributed to their friends and families. Simple bands enamelled with the name and life dates of the deceased were frequently made, sometimes set with a gemstone or a bezel set with a rock crystal covering a symbol such as a coffin or initials in gold wire. In the later 18th century, rings followed neo-classical designs, their oval bezels often decorated with the same designs as funerary monuments such as urns, broken pillars and mourning figures. Hair from the deceased was incorporated into the designs or set in a compartment at the back of the ring to give each jewel a uniquely personal element. Black or white enamel were favoured though white enamel was often, though not universally used to commemorate children and unmarried adults. By the end of the 19th century, memorial ring designs were becoming more standardised. The hoops were often inscribed with phrases such as 'In memory' whilst a commemorative inscription could be added to the inside of the hoop. The custom of giving rings as memorials gradually declined in the early 20th century, although the Goldsmiths Journal suggests that some were still being sold in the 1930s.

Object details

Categories
Object type
Materials and techniques
Inscribed and enamelled gold set with an emerald
Brief description
Enamelled gold mourning ring, the octagonal bezel set with an emerald, held by clawlets. Behind, flutes. The hoop of five scrolls, inscribed in reserve on black enamel JONAS PAUL OB: JUNE 6, 1722. AE 36., England, dated 1722
Physical description
Enamelled gold mourning ring, the octagonal bezel set with an emerald, held by clawlets. Behind, flutes. The hoop of five scrolls, inscribed in reserve on black enamel JONAS PAUL OB: JUNE 6, 1722. AE 36.
Dimensions
  • Height: 2.4cm
  • Width: 2.2cm
  • Depth: 0.9cm
Marks and inscriptions
inscribed JONAS PAUL OB: JUNE 6, 1722. AE 36. (the hoop)
Credit line
Given by Dame Joan Evans
Subject depicted
Summary
From the early seventeenth to the end of the nineteenth century, testators left money in their wills to have rings with commemorative inscriptions made and distributed to their friends and families. Simple bands enamelled with the name and life dates of the deceased were frequently made, sometimes set with a gemstone or a bezel set with a rock crystal covering a symbol such as a coffin or initials in gold wire. In the later 18th century, rings followed neo-classical designs, their oval bezels often decorated with the same designs as funerary monuments such as urns, broken pillars and mourning figures. Hair from the deceased was incorporated into the designs or set in a compartment at the back of the ring to give each jewel a uniquely personal element. Black or white enamel were favoured though white enamel was often, though not universally used to commemorate children and unmarried adults. By the end of the 19th century, memorial ring designs were becoming more standardised. The hoops were often inscribed with phrases such as 'In memory' whilst a commemorative inscription could be added to the inside of the hoop. The custom of giving rings as memorials gradually declined in the early 20th century, although the Goldsmiths Journal suggests that some were still being sold in the 1930s.
Collection
Accession number
M.160-1962

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJuly 7, 2006
Record URL
Download as: JSONIIIF Manifest