Top of a dormer window thumbnail 1
Top of a dormer window thumbnail 2
+1
images
Image of Gallery in South Kensington
On display at V&A South Kensington
Medieval & Renaissance, Room 50a, The Paul and Jill Ruddock Gallery

Top of a dormer window

Top of a Dormer-Window
1515-1547 (made)
Artist/Maker
Place of origin

This spectacular window feature comes from the royal Château de Chambord, the largest castle in the Loire Valley and one of the most extravagant commissions of its age. The Italian architect Domenico de Cortona was chosen to design the building in 1519. The choice of an Italian architect reflected a conscious effort to establish prestigious Italian Renaissance art forms in France, though the labour was supplied by French masons. The work is sculpted with a crowned salamander, an emblem of King Francis I of France (reigned 1515-1547), for whom the Château was built.


Object details

Categories
Object type
Parts
This object consists of 7 parts.

  • Architecture
  • Architecture
  • Architecture
  • Architecture
  • Architecture
  • Architecture
  • Architecture
TitleTop of a dormer window (generic title)
Materials and techniques
Carved stone
Brief description
Top of a dormer-window, carved stone, France, ca. 1523-1535
Physical description
Top of a dormer window of carved stone. gable shaped, the base occupied with a gigantic grotesque mask and foliage, the edge decorated with crockets. Above is a crowned salamander on a flaming ground. In the upper part is a bust in full relief surmounted by a nude male figure.
Dimensions
  • Height: 308cm
  • Width: 183cm
  • Depth: 42cm
  • Part 2 only weight: 253kg
Measured for the Medieval and Renaissance Galleries
Gallery label
TOP OF A DORMER WINDOW Stone French 1515-1547 Given by Mr J.H. Fitzhenry The window is said to have come from the Château de Chambord. In the rectangular field in the middle is the badge of King Francis I of France (reigned 1515-1547), the crowned salamander on a flaming ground. This device appears in many of the châteaux in the Loire Valley, for example Blois.(1999)
Object history
Said to have come from the Château Chambord. Given to the museum by J.H. Fitzhenry.
Historical context
Francis I (born Sept. 12, 1494, Cognac, France: died March 31, 1547, Rambouillet) also called (until 1515) Francis Of Angoulême, François D'angoulême King of France (1515–47), the first of five monarchs of the Angoulême branch of the House of Valois. A Renaissance patron of the arts and scholarship, a humanist, and a knightly king, he waged campaigns in Italy (1515–16) and fought a series of wars with the Holy Roman Empire (1521–44). He commissioned Château Chambord, the largest of the Loire châteaux, one of the most extravagant commissions of its age. The Italian architect Domenico de Cortona was chosen to design the building in 1519. The choice of an Italian architect reflected a conscious effort to establish prestigious Italian Renaissance art forms in France, though the labour was supplied by French masons. The size of the château was immense with over 440 rooms, 85 staircases and 365 chimneys and stables to accommodate 1200 horses, it stands in a park surrounded by a wall of 22 miles in circumference. The exterior of the chateau is richly embellished with coats of arms proclaiming the wealth and power of the owner although Francis I stayed at Chambord less than forty days in total.
Subjects depicted
Summary
This spectacular window feature comes from the royal Château de Chambord, the largest castle in the Loire Valley and one of the most extravagant commissions of its age. The Italian architect Domenico de Cortona was chosen to design the building in 1519. The choice of an Italian architect reflected a conscious effort to establish prestigious Italian Renaissance art forms in France, though the labour was supplied by French masons. The work is sculpted with a crowned salamander, an emblem of King Francis I of France (reigned 1515-1547), for whom the Château was built.
Bibliographic references
  • Chatenet, M. Chambord (Paris: Monum, 2001)
  • List of Works of Art Acquired by the Victoria and Albert Museum in the Years 1905 - 1908. In: List of Works of Art Acquired by the Victoria and Albert Museum, During the Year 1905, Arranged According to the Dates of Acquisition with Appendix and Indices. London: Printed for His Majesty's Stationery Office, by Eyre and Spottiswoode, Limited, 1909, p. 218
Collection
Accession number
1142:1to 7-1905

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Record createdJuly 6, 2006
Record URL
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