Lady Mouse curtseying beside a teacup
Drawing
1903 (made)
1903 (made)
Artist/Maker | |
Place of origin |
Beatrix Potter (1866-1943) is one of the world's best-loved children's authors and illustrators. She wrote the majority of the twenty-three Original Peter Rabbit Books between 1901 and 1913. The Tale of Peter Rabbit (Frederick Warne, 1902) is her most famous and best-loved tale.
The Tailor of Gloucester was Beatrix's favourite of her little books and the second to be privately printed prior to publication by Frederick Warne & Co. in 1903. Many of Beatrix Potter’s stories begin ‘Once upon a time…’. The Tailor of Gloucester is unusual in that the story takes place at a specific period – ‘the time of swords and periwigs’ – between about 1735 and 1785. Beatrix went to extraordinary lengths to create an authentic setting. Passing a tailor’s shop in Chelsea one day, she deliberately tore a button off her coat and took it in to be mended so she could observe at first hand the tailor’s posture, tools and workbench. She sought inspiration for the costumes in 18th-century clothes owned by her local museum, the Victoria and Albert Museum (then known as the South Kensington Museum). In March 1903 she wrote to her publisher, Norman Warne: ‘I had been looking at them for a long time in an inconvenient dark corner of the Goldsmith’s Court, but had no idea they could be taken out of the case. The clerk says I could have any article put on a table in one of the offices, which will be most convenient.’ Her sketches of the Museum's costumes are so accurate that it is possible to identify the original garments, including the mayor’s waistcoat, ‘worked with poppies and corn-flowers’.
This is a preliminary study for the finished variant of the illustration that appears on p. 22 of the 2002 edition of book, 'Out stepped a little live lady mouse, and made a curtsey to the tailor! Then she hopped away down off the dresser, and under the wainscot'.
The Tailor of Gloucester was Beatrix's favourite of her little books and the second to be privately printed prior to publication by Frederick Warne & Co. in 1903. Many of Beatrix Potter’s stories begin ‘Once upon a time…’. The Tailor of Gloucester is unusual in that the story takes place at a specific period – ‘the time of swords and periwigs’ – between about 1735 and 1785. Beatrix went to extraordinary lengths to create an authentic setting. Passing a tailor’s shop in Chelsea one day, she deliberately tore a button off her coat and took it in to be mended so she could observe at first hand the tailor’s posture, tools and workbench. She sought inspiration for the costumes in 18th-century clothes owned by her local museum, the Victoria and Albert Museum (then known as the South Kensington Museum). In March 1903 she wrote to her publisher, Norman Warne: ‘I had been looking at them for a long time in an inconvenient dark corner of the Goldsmith’s Court, but had no idea they could be taken out of the case. The clerk says I could have any article put on a table in one of the offices, which will be most convenient.’ Her sketches of the Museum's costumes are so accurate that it is possible to identify the original garments, including the mayor’s waistcoat, ‘worked with poppies and corn-flowers’.
This is a preliminary study for the finished variant of the illustration that appears on p. 22 of the 2002 edition of book, 'Out stepped a little live lady mouse, and made a curtsey to the tailor! Then she hopped away down off the dresser, and under the wainscot'.
Object details
Categories | |
Object type | |
Title | Lady Mouse curtseying beside a teacup (generic title) |
Materials and techniques | Pencil on paper |
Brief description | Pencil drawing of a lady mouse curtseying beside a teacup; preliminary study for a finished variant illustration for The Tailor of Gloucester; drawn by Beatrix Potter, probably in 1903; Linder Bequest catalogue no: LB.791 |
Physical description | Pencil drawing of a mouse dressed in eighteenth century dress curtseys in front of a bone china tea-cup. |
Production type | Unique |
Credit line | Linder Bequest [plus object number; written on labels on the same line as the object number] |
Object history | Drawn by Beatrix Potter, probably in 1903. Acquired by the V&A from Leslie Linder (1904- 1973) in 1973 as part of the Linder Bequest, a collection of ca. 2150 watercolours, drawings, literary manuscripts, correspondence, books, photographs, and other memorabilia associated with Beatrix Potter and her family. |
Subjects depicted | |
Literary reference | The Tailor of Gloucester |
Summary | Beatrix Potter (1866-1943) is one of the world's best-loved children's authors and illustrators. She wrote the majority of the twenty-three Original Peter Rabbit Books between 1901 and 1913. The Tale of Peter Rabbit (Frederick Warne, 1902) is her most famous and best-loved tale. The Tailor of Gloucester was Beatrix's favourite of her little books and the second to be privately printed prior to publication by Frederick Warne & Co. in 1903. Many of Beatrix Potter’s stories begin ‘Once upon a time…’. The Tailor of Gloucester is unusual in that the story takes place at a specific period – ‘the time of swords and periwigs’ – between about 1735 and 1785. Beatrix went to extraordinary lengths to create an authentic setting. Passing a tailor’s shop in Chelsea one day, she deliberately tore a button off her coat and took it in to be mended so she could observe at first hand the tailor’s posture, tools and workbench. She sought inspiration for the costumes in 18th-century clothes owned by her local museum, the Victoria and Albert Museum (then known as the South Kensington Museum). In March 1903 she wrote to her publisher, Norman Warne: ‘I had been looking at them for a long time in an inconvenient dark corner of the Goldsmith’s Court, but had no idea they could be taken out of the case. The clerk says I could have any article put on a table in one of the offices, which will be most convenient.’ Her sketches of the Museum's costumes are so accurate that it is possible to identify the original garments, including the mayor’s waistcoat, ‘worked with poppies and corn-flowers’. This is a preliminary study for the finished variant of the illustration that appears on p. 22 of the 2002 edition of book, 'Out stepped a little live lady mouse, and made a curtsey to the tailor! Then she hopped away down off the dresser, and under the wainscot'. |
Associated object | |
Bibliographic reference | 'Hobbs and Whalley, Beatrix Potter : the V&A Collection, London, 1985'
Brief catalogue entry, p. 85. |
Other number | LB.791 - Linder Bequest catalogue no. |
Collection | |
Library number | BP.472A |
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Record created | November 21, 2012 |
Record URL |
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