Not on display

Dress Fabric

ca.1745 (woven)
Artist/Maker
Place of origin

Lightweight silks like this with a floral pattern brocaded in delicate colours were very fashionable for women's gowns in the early 1740s. The technique of brocading allowed different colours to be introduced into the pattern of a fabric in specific, sometimes very small areas. It was a more laborious process for the weaver than using patterning wefts running from selvedge to selvedge, but the resulting effect could be much more varied and lively.



Object details

Category
Object type
Materials and techniques
Brocaded silk
Brief description
loom width, cream silk brocaded in shades of brown, Spitalfields, ca. 1745
Physical description
Panel of silk dismantled from a dress; it retains traces of pleats from a waist. It is a loom width, with a seam near the lower edge attaching an addition small section of silk that allows the pattern repeat to be seen complete. There is a narrow line of silk with a cut edge stitched to the top, suggesting another panel was joined previously, and has been cut off. A short length of linen tape is attached to the reverse.

The silk is cream in plain weave brocaded in four shades of brown, with self-coloured ground weft floats creating delicate floral sprays in the background. In the foreground the brown brocading creates floral swags across the width of the silk.
Dimensions
  • Height: 61cm (maximum)
  • Width: 53.5cm
Credit line
Given by Mrs Gabriella Kay Robertson
Production
.
Summary
Lightweight silks like this with a floral pattern brocaded in delicate colours were very fashionable for women's gowns in the early 1740s. The technique of brocading allowed different colours to be introduced into the pattern of a fabric in specific, sometimes very small areas. It was a more laborious process for the weaver than using patterning wefts running from selvedge to selvedge, but the resulting effect could be much more varied and lively.



Bibliographic reference
Natalie Rothstein illustrated a piece of this silk as a comparison to Anna Maria Garthwaite's work from 1745 in her catalogue Silk Designs of the 18th Century from the Collection of the Victoria and Albert Museum (1990).
Collection
Accession number
T.134-2012

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Record createdSeptember 28, 2012
Record URL
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