Heraldic Medallion
13th century (made)
Artist/Maker | |
Place of origin |
This medallion exemplifies the growth of interest in heraldry and heraldic ornament in the thirteenth century. The developing interest in heraldry coincided with the increasing use of enamel on metalwork. Enamel was the only means of permanently colouring metal and was thus a crucial technique in the expression of heraldic language.
Heraldic devices such as this one were used as symbols of identity. Coats of arms also conveyed a sense of status. In England only certain individuals were given the right to bear arms by the King. Individuals often incorporated the arms of their ancestors into their heraldic devices in order to promote their position as part of an important family or dynasty.
Heraldic devices such as this one were used as symbols of identity. Coats of arms also conveyed a sense of status. In England only certain individuals were given the right to bear arms by the King. Individuals often incorporated the arms of their ancestors into their heraldic devices in order to promote their position as part of an important family or dynasty.
Object details
Category | |
Object type | |
Materials and techniques | Gilt copper, champlevé enamel |
Brief description | Heraldic medallion, gilt-copper and champlevé enamel, France, 13th century |
Physical description | Gilt copper and champlevé enamel medallion depicting a shield of arms (vair en point azure and sable) surrounded by an openwork lizard border. |
Dimensions |
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Marks and inscriptions | |
Object history | Bought in 1855 for £5 Historical significance: This medallion exemplifies the growth of interest in heraldry and heraldic ornament in the thirteenth century. The developing interest in heraldry coincided with the increasing use of enamel on metalwork. Enamel was the only means of permanently colouring metal and was thus a crucual technique in the expression of heraldic language. Heraldic devices such as this one were used as symbols of identity. Coats of arms also conveyed a sense of status. In England only certain individuals were given the right to bear arms by the King. Individuals often incorporated the arms of their ancestors into their heraldic devices in order to promote their position as part of an important family or dynasty. |
Historical context | Objects of this type were probably produced in large numbers to be fitted onto caskets of wood or leather. Small copper pins would have been struck through the holes around the edges of the object to hold it in place. Heraldic roundels such as this sometimes appeared on caskets amid similar enamel medallions depicting beasts or scenes of courtly love. The coffret de Saint Louis in the Louvre is one such example. The casket has a wooden core overlaid with tin, which is covered with enamel medallions. Coats of arms, including the heraldic shield of France, are interspersed with scenes of fantastic beasts, chivalry and romance. |
Subject depicted | |
Summary | This medallion exemplifies the growth of interest in heraldry and heraldic ornament in the thirteenth century. The developing interest in heraldry coincided with the increasing use of enamel on metalwork. Enamel was the only means of permanently colouring metal and was thus a crucial technique in the expression of heraldic language. Heraldic devices such as this one were used as symbols of identity. Coats of arms also conveyed a sense of status. In England only certain individuals were given the right to bear arms by the King. Individuals often incorporated the arms of their ancestors into their heraldic devices in order to promote their position as part of an important family or dynasty. |
Associated object | 1587-1855 (Object) |
Collection | |
Accession number | 1586-1855 |
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Record created | June 26, 2006 |
Record URL |
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