Pietro Mellini
Bust
1474 (sculpted), ca. 1885 (cast)
1474 (sculpted), ca. 1885 (cast)
Artist/Maker | |
Place of origin |
This is a plaster cast of the original marble bust of Pietro Mellini in the Museo Nazionale (Bargello) in Florence, made by Benedetto da Maiano in 1474 in Florence. The plaster cast is made by Oronzio Lelli in about 1885 in Florence, Italy. The sitter Pietro Mellini was a wealthy Florentine merchant who also commissioned from Benedetto the pulpit in S. Croce of which a cast is shown behind this bust (museum no. 1884-639) and a tabernacle in Assisi carved by the Maiano workshop.
Benedetto da Maiano (1442-1497) was a sculptor and wood-carver and the brother of Giuliano da Maiano. He was one of the most accomplished marble-carvers of the 15th century and the foremost sculptor in Florence of the generation following Bernardo Rossellino.
Plaster casts were especially sought after during the 19th century, when reproductions of great works of sculpture and architecture were thought crucial for the training of artists. A separating substance was applied to the surface of the work to be reproduced, and a plaster mould made from that. The mould would then be used to make any number of additional plaster copies. These were often sold to artists, and later in the century to art colleges for study purposes.
Benedetto da Maiano (1442-1497) was a sculptor and wood-carver and the brother of Giuliano da Maiano. He was one of the most accomplished marble-carvers of the 15th century and the foremost sculptor in Florence of the generation following Bernardo Rossellino.
Plaster casts were especially sought after during the 19th century, when reproductions of great works of sculpture and architecture were thought crucial for the training of artists. A separating substance was applied to the surface of the work to be reproduced, and a plaster mould made from that. The mould would then be used to make any number of additional plaster copies. These were often sold to artists, and later in the century to art colleges for study purposes.
Object details
Categories | |
Object type | |
Title | Pietro Mellini (generic title) |
Materials and techniques | Plaster cast |
Brief description | Plaster cast, portrait of Pietro Mellini, after a marble original by Benedetto da Maiano in the Museo Nazionale (Bargello), Florence, 1474, cast made by Oronzio Lelli, Florence, ca. 1885 |
Physical description | This cast is of the bust of Pietro Mellini. Inscribed: 'BENEDICTVS MAIANVS FECIT' and 'PETRI MELLINI . FRANCISCI FILLII . IMAGO HEC.AN.1474' |
Dimensions |
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Marks and inscriptions | 'BENEDICTVS MAIANVS FECIT' and 'PETRI MELLINI . FRANCISCI FILLII . IMAGO HEC.AN.1474' |
Gallery label |
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Object history | Purchased from Oronzio Lelli in 1885 for 16s 8d (200 lire). |
Historical context | The bust is signed: BENEDICTVS MAIANVS FECIT and inscribed with the sitter's name and the date PETRI MELLINI.FRANCISCI FILII.IMAGO HEC.AN.1474. Pietro Mellini was a wealthy Florentine merchant who also commissioned from Benedetto the pulpit in S. Croce of which a cast is shown behind this bust (museum no. 1884-639) and a tabernacle in Assisi carved by the Maiano workshop. This detailed portrait appears to have been based on a life mask and the final version in marble would have been preceded by a terracotta sketch model similar to the terracotta study in Berlin for Benedetto's marble portrait of Filippo Strozzi in the Louvre (a cast of which is also in the collection at the V&A, museum no. REPRO.1864-15). |
Subject depicted | |
Summary | This is a plaster cast of the original marble bust of Pietro Mellini in the Museo Nazionale (Bargello) in Florence, made by Benedetto da Maiano in 1474 in Florence. The plaster cast is made by Oronzio Lelli in about 1885 in Florence, Italy. The sitter Pietro Mellini was a wealthy Florentine merchant who also commissioned from Benedetto the pulpit in S. Croce of which a cast is shown behind this bust (museum no. 1884-639) and a tabernacle in Assisi carved by the Maiano workshop. Benedetto da Maiano (1442-1497) was a sculptor and wood-carver and the brother of Giuliano da Maiano. He was one of the most accomplished marble-carvers of the 15th century and the foremost sculptor in Florence of the generation following Bernardo Rossellino. Plaster casts were especially sought after during the 19th century, when reproductions of great works of sculpture and architecture were thought crucial for the training of artists. A separating substance was applied to the surface of the work to be reproduced, and a plaster mould made from that. The mould would then be used to make any number of additional plaster copies. These were often sold to artists, and later in the century to art colleges for study purposes. |
Collection | |
Accession number | REPRO.1885-137 |
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Record created | December 7, 1999 |
Record URL |
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