Theatre Design
1953 (designed)
Artist/Maker | |
Place of origin |
In the mid 20th century, the Royal Opera House continued the tradition of producing special programmes, often printed on silk, for special gala occasions, often performances given in the presence of Royalty or visiting heads of state. In 1953, to celebrate the Coronation of Queen Elizabeth II, the Royal Opera House commissioned Benjamin Britten to write an opera on the subject of Queen Elizabeth I; Gloriana was premiered on 8 June 1953 in the presence of the Queen and the Royal Family. Oliver Messel was commissioned to design a programme for the Royal gala and this drawing was used for the back cover. The subject of the first Queen Elizabeth was not new to him; at the beginning of his career a moulded head of the Queen, set in a splendid huge ruff, attracted much attention at one of his exhibitions.
Great Britain’s leading theatre designer from the early 1930s to the mid 1950s, Oliver Messel (1904-1978) won international acclaim for his lavish, painterly and poetic designs informed by period styles. His work spans ballet, drama, film, musical, opera and revue. Messel’s traditional style of theatre design became unfashionable from the mid 1950s onwards, and he increasingly concentrated on painting, interior and textile design, including designing luxury homes in the Caribbean.
Great Britain’s leading theatre designer from the early 1930s to the mid 1950s, Oliver Messel (1904-1978) won international acclaim for his lavish, painterly and poetic designs informed by period styles. His work spans ballet, drama, film, musical, opera and revue. Messel’s traditional style of theatre design became unfashionable from the mid 1950s onwards, and he increasingly concentrated on painting, interior and textile design, including designing luxury homes in the Caribbean.
Object details
Categories | |
Object type | |
Materials and techniques | Charcoal, pencil, paint on paper |
Brief description | Design by Oliver Messel for the back cover of the gala programme for the premiere of Benjamin Britten's opera Gloriana, Royal Opera House, 8 June 1953. |
Physical description | Head of Queen Elizabeth I designed for the back cover of the gala programme for Gloriana, 1953. The head is surrounded by a large Elizabethan ruff with gold jewels. |
Dimensions |
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Production type | Design |
Credit line | Acquired with the support of the National Lottery Heritage Fund, Art Fund and the Friends of the V&A |
Object history | Oliver Messel was commissioned to design the programme for the gala premiere of Benjamin Britten's opera Gloriana on 8 June 1953. The opera was commissioned by the Royal Opera House to celebrate the Coronation of Queen Elizabeth II and she and the Royal Family attended the premiere. Lord Snowdon, Oliver Messel's nephew, inherited Messel's theatre designs and other designs and artefacts. The designs were briefly stored in a disused chapel in Kensington Palace before being housed at the V&A from 1981 on indefinite loan. The V&A Theatre Museum purchased the Oliver Messel collection from Lord Snowdon in 2005. |
Production | Reason For Production: Commission |
Summary | In the mid 20th century, the Royal Opera House continued the tradition of producing special programmes, often printed on silk, for special gala occasions, often performances given in the presence of Royalty or visiting heads of state. In 1953, to celebrate the Coronation of Queen Elizabeth II, the Royal Opera House commissioned Benjamin Britten to write an opera on the subject of Queen Elizabeth I; Gloriana was premiered on 8 June 1953 in the presence of the Queen and the Royal Family. Oliver Messel was commissioned to design a programme for the Royal gala and this drawing was used for the back cover. The subject of the first Queen Elizabeth was not new to him; at the beginning of his career a moulded head of the Queen, set in a splendid huge ruff, attracted much attention at one of his exhibitions. Great Britain’s leading theatre designer from the early 1930s to the mid 1950s, Oliver Messel (1904-1978) won international acclaim for his lavish, painterly and poetic designs informed by period styles. His work spans ballet, drama, film, musical, opera and revue. Messel’s traditional style of theatre design became unfashionable from the mid 1950s onwards, and he increasingly concentrated on painting, interior and textile design, including designing luxury homes in the Caribbean. |
Bibliographic reference | Pinkham, Roger (ed.) Oliver Messel: an exhibition held at the Theatre Museum, Victoria and Albert Museum, 22 June - 30 September 1983.
London: Victoria and Albert Museum, 1983. 200p., ill
ISBN 0905209508) |
Other number | ROT 965 - TM Rotation Number |
Collection | |
Accession number | S.98-2006 |
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Record created | June 7, 2006 |
Record URL |
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