Design
ca.1770-1780 (made)
Artist/Maker | |
Place of origin |
Print of a design for a neo-classical, gold box lid. This copperplate engraving was produced for the private use of goldsmiths and could be used as an aid to producing further designs by modification in pencil, or could be used as a base to try out enamel or gold colours. It could also be shown to potential customers.
This print was made by an anonymous designer in about 1770-1780 and it is from an album of designs which date from about 1735-1820 and includes those for snuffboxes, scent holders, watches and watch cases, spoons, fans and fan mounts, small swords, and chatelaines (ornamental chains, pins, or clasps usually worn at a woman's waist, to which trinkets, keys, purses, or other articles are attached).
There is a close relationship between the contents of the album and known work by three Parisian goldsmiths, Jean Ducrollay (1710-1787), Pierre- François Drais (active 1761-1788), and Charles Ouizille (1744-1830) whose names appear on the first page of the album. This suggests that all the designs emanate from their workshops. Drais worked for the Court at Versailles as jeweller to both King Louis XV and Louis XVI. Ouizille worked in this capacity for Louis XVI. Most of the material dates from the period 1755-90.
This print was made by an anonymous designer in about 1770-1780 and it is from an album of designs which date from about 1735-1820 and includes those for snuffboxes, scent holders, watches and watch cases, spoons, fans and fan mounts, small swords, and chatelaines (ornamental chains, pins, or clasps usually worn at a woman's waist, to which trinkets, keys, purses, or other articles are attached).
There is a close relationship between the contents of the album and known work by three Parisian goldsmiths, Jean Ducrollay (1710-1787), Pierre- François Drais (active 1761-1788), and Charles Ouizille (1744-1830) whose names appear on the first page of the album. This suggests that all the designs emanate from their workshops. Drais worked for the Court at Versailles as jeweller to both King Louis XV and Louis XVI. Ouizille worked in this capacity for Louis XVI. Most of the material dates from the period 1755-90.
Object details
Categories | |
Object type | |
Materials and techniques | Copperplate engraving on paper |
Brief description | Design form album of designs by Ouizille, French, eighteenth century. NOT TO BE ISSUED WITHOUT PERMISSION FROM THE HEAD OF DESIGNS |
Physical description | Design, printed, for a gold box lid. |
Dimensions |
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Credit line | Purchased with the assistance of Wartski Limited |
Production | Attribution note: This design was made from a copperplate engraving and produced for the private use of goldsmiths. This copperplate engraving was used as a base to try out enamel or gold colours. It could also have been shown to potential customers. |
Subjects depicted | |
Summary | Print of a design for a neo-classical, gold box lid. This copperplate engraving was produced for the private use of goldsmiths and could be used as an aid to producing further designs by modification in pencil, or could be used as a base to try out enamel or gold colours. It could also be shown to potential customers. This print was made by an anonymous designer in about 1770-1780 and it is from an album of designs which date from about 1735-1820 and includes those for snuffboxes, scent holders, watches and watch cases, spoons, fans and fan mounts, small swords, and chatelaines (ornamental chains, pins, or clasps usually worn at a woman's waist, to which trinkets, keys, purses, or other articles are attached). There is a close relationship between the contents of the album and known work by three Parisian goldsmiths, Jean Ducrollay (1710-1787), Pierre- François Drais (active 1761-1788), and Charles Ouizille (1744-1830) whose names appear on the first page of the album. This suggests that all the designs emanate from their workshops. Drais worked for the Court at Versailles as jeweller to both King Louis XV and Louis XVI. Ouizille worked in this capacity for Louis XVI. Most of the material dates from the period 1755-90. |
Bibliographic reference | Heike Zech, 'Designs for Gold Boxes in the Album of the Workshop of Jean Ducrollay and his Successors', in Going for Gold: craftsmanship and collecting of gold boxes, ed. Tessa Murdoch and Heike Zech (Sussex academic press, 2014). |
Collection | |
Accession number | E.897:258-1988 |
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Record created | June 5, 2006 |
Record URL |
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