Not on display
This object, or the text that describes it, is deemed offensive and discriminatory. We are committed to improving our records, and work is ongoing.


That Pie

Sheet Music
ca. 19th century (printed and published)
Artist/Maker
Place of origin

Music sheet cover for 'That Pie!', composed by Frederick Bowyer, sung by Sam Raeburn, published by E. Ascherberg & Co, ca. 19th century.

Blackface is a style of theatrical makeup that originated in the United States around 1830 and which was based on racist stereotypes of African Americans. It was most commonly used in the minstrel performance tradition. White performers (and sometimes black) used burnt cork, greasepaint or shoe polish to blacken their skin and exaggerate their lips.

Object details

Categories
Object type
TitleThat Pie (assigned by artist)
Materials and techniques
Lithograph
Brief description
Music sheet cover for 'That Pie!', composed by Frederick Bowyer, sung by Sam Raeburn, published by E. Ascherberg & Co, ca. 19th century
Physical description
Cover of the sheet music for 'That pie!'. In the centre, there is an image of Sam Raeburn with a blackened face. Credits of the song are printed above and below the image.
Dimensions
  • Height: 34cm (approx)
  • Width: 24.7cm (approx)
Marks and inscriptions
/ARRANGED FOR VOICE, WITH PIANO OR BANJO ACCOMPANIMENT/ /THAT PIE!/ /PARODY/ /WRITTEN BY/ /FREDERICK/BOWYER/ON SYDNEY SMITH'S/POPULAR SONG/FOR YOU/ /SUNG WITH IMMENSE SUCCESS BY/ /SAM RAEBURN/ /LONDON, E ASCHERBERG & CO., 46 BERNERS ST. W./ (Text on front of cover.)
Credit line
Gabrielle Enthoven Collection
Subject depicted
Place depicted
Associations
Literary referenceThat Pie! by Frederick Bowyer
Summary
Music sheet cover for 'That Pie!', composed by Frederick Bowyer, sung by Sam Raeburn, published by E. Ascherberg & Co, ca. 19th century.

Blackface is a style of theatrical makeup that originated in the United States around 1830 and which was based on racist stereotypes of African Americans. It was most commonly used in the minstrel performance tradition. White performers (and sometimes black) used burnt cork, greasepaint or shoe polish to blacken their skin and exaggerate their lips.
Collection
Accession number
S.450-2012

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdMay 2, 2012
Record URL
Download as: JSONIIIF Manifest