Untitled [Nurse Olga Grant photographed in the Nurses' residence at Luton and Dunstable Hospital, Luton, Bedfordshire]
Photograph
1972 (Photographed), 2011 (Printed)
1972 (Photographed), 2011 (Printed)
Artist/Maker | |
Place of origin |
Photographer Neil Kenlock (1950) moved to London from Jamaica in 1963 and became determined to document black pride in the face of racial prejudice. Building on his background in protest photography, Kenlock’s portraits of the black British community convey a similar sense of empowerment.
This photograph of Nurse Olga Grant was taken while Kenlock visited his wife Judith who was also training to be a nurse. Nursing was taken up by many British Caribbean women during this period, as the profession was highly regarded in Caribbean society. Posed in her pristine uniform for a photograph which would probably be sent back to relatives in the Caribbean, Olga Grant appears confident in her vocation.
The V&A acquired ten photographs by Kenlock, including a photograph of his wife Judith, as part of the Staying Power project. Photographs by Kenlock’s contemporaries Charlie Phillips and Armet Francis were also acquired as part of the project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives.
This photograph of Nurse Olga Grant was taken while Kenlock visited his wife Judith who was also training to be a nurse. Nursing was taken up by many British Caribbean women during this period, as the profession was highly regarded in Caribbean society. Posed in her pristine uniform for a photograph which would probably be sent back to relatives in the Caribbean, Olga Grant appears confident in her vocation.
The V&A acquired ten photographs by Kenlock, including a photograph of his wife Judith, as part of the Staying Power project. Photographs by Kenlock’s contemporaries Charlie Phillips and Armet Francis were also acquired as part of the project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives.
Object details
Categories | |
Object type | |
Title | Untitled [Nurse Olga Grant photographed in the Nurses' residence at Luton and Dunstable Hospital, Luton, Bedfordshire] (assigned by artist) |
Materials and techniques | Gelatin silver print |
Brief description | Photograph by Neil Kenlock, 'Untitled [Nurse Olga Grant photographed in the Nurses' residence at Luton and Dunstable Hospital, Luton, Bedfordshire]', gelatin silver print, Luton, 1972, printed 2011 |
Physical description | A black and white photograph of a young black woman wearing a nurses uniform stood in the corner of a room. She has an afro hairstyle and is posed in front of patterened curtains. To the left of the image there is a wooden chest of drawers with a variety of products on top of it and a shelving unit with books, papers and other items stacked on it. To the right, the side of a chair with a cushion on it can be seen. |
Dimensions |
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Style | |
Credit line | Supported by the National Lottery Heritage Fund. |
Object history | The V&A acquired this photograph as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives. |
Subjects depicted | |
Association | |
Summary | Photographer Neil Kenlock (1950) moved to London from Jamaica in 1963 and became determined to document black pride in the face of racial prejudice. Building on his background in protest photography, Kenlock’s portraits of the black British community convey a similar sense of empowerment. This photograph of Nurse Olga Grant was taken while Kenlock visited his wife Judith who was also training to be a nurse. Nursing was taken up by many British Caribbean women during this period, as the profession was highly regarded in Caribbean society. Posed in her pristine uniform for a photograph which would probably be sent back to relatives in the Caribbean, Olga Grant appears confident in her vocation. The V&A acquired ten photographs by Kenlock, including a photograph of his wife Judith, as part of the Staying Power project. Photographs by Kenlock’s contemporaries Charlie Phillips and Armet Francis were also acquired as part of the project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives. |
Associated object | |
Collection | |
Accession number | E.216-2012 |
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Record created | April 5, 2012 |
Record URL |
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