![Untitled [A well fully clad man photographed standing by his television in Stockwell, South London,] top image](https://framemark.vam.ac.uk/collections/2013GC9794/full/735,/0/default.jpg)
Untitled [A well fully clad man photographed standing by his television in Stockwell, South London,]
Photograph
1972 (Photographed), 2011 (Printed)
1972 (Photographed), 2011 (Printed)
| Artist/Maker | |
| Place of origin |
Photographer Neil Kenlock (born 1950) moved to London from Jamaica in 1963 and became determined to document black pride in the face of racial prejudice. Building on his background in protest photography, Kenlock brought the same sense of confidence to the colour photographs he took of British Caribbean people at home in the 1970s.
Photographs like this were taken for the sitter to send to relatives in the Caribbean to show that they had settled well in Britain. The compositions of these images recall studio portraiture, yet showcase the variety of material goods families owned and the modern homes they had made for themselves.
The V&A acquired ten photographs by Kenlock, including a photograph depicting a woman sitting in the same room, as part of the Staying Power project. Photographs by Kenlock’s contemporaries Charlie Phillips and Armet Francis were also acquired as part of the project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives.
Photographs like this were taken for the sitter to send to relatives in the Caribbean to show that they had settled well in Britain. The compositions of these images recall studio portraiture, yet showcase the variety of material goods families owned and the modern homes they had made for themselves.
The V&A acquired ten photographs by Kenlock, including a photograph depicting a woman sitting in the same room, as part of the Staying Power project. Photographs by Kenlock’s contemporaries Charlie Phillips and Armet Francis were also acquired as part of the project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives.
Object details
| Categories | |
| Object type | |
| Title | Untitled [A well fully clad man photographed standing by his television in Stockwell, South London,] (assigned by artist) |
| Materials and techniques | C-type print |
| Brief description | Photograph by Neil Kenlock, 'Untitled [A well fully clad man photographed standing by his television in Stockwell, South London]', C-type print, London, 1972, printed 2011 |
| Physical description | A colour photograph of a black man wearing a suit standing in front of a television set in a living room. The room is decorated with colourful carpet, wallpaper and curtains all of different patterns. The man poses leaning on the televsion and is surrounded by a range of other material goods. |
| Dimensions |
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| Style | |
| Gallery label |
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| Credit line | Supported by the National Lottery Heritage Fund. |
| Object history | The V&A acquired this photograph as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives. |
| Subjects depicted | |
| Summary | Photographer Neil Kenlock (born 1950) moved to London from Jamaica in 1963 and became determined to document black pride in the face of racial prejudice. Building on his background in protest photography, Kenlock brought the same sense of confidence to the colour photographs he took of British Caribbean people at home in the 1970s. Photographs like this were taken for the sitter to send to relatives in the Caribbean to show that they had settled well in Britain. The compositions of these images recall studio portraiture, yet showcase the variety of material goods families owned and the modern homes they had made for themselves. The V&A acquired ten photographs by Kenlock, including a photograph depicting a woman sitting in the same room, as part of the Staying Power project. Photographs by Kenlock’s contemporaries Charlie Phillips and Armet Francis were also acquired as part of the project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives. |
| Associated objects |
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| Collection | |
| Accession number | E.215-2012 |
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| Record created | April 5, 2012 |
| Record URL |
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