Image of Gallery in South Kensington
On display at V&A South Kensington
Design 1900 to Now, Room 74

Untitled [A young girl speaking on her parents' telephone in South London]

Photograph
1973 (Photographed), 2011 (Printed)
Artist/Maker
Place of origin

Photographer Neil Kenlock (born 1950) moved to London from Jamaica in 1963 and became determined to document black pride in the face of racial prejudice. Building on his background in protest photography, Kenlock brought the same sense of confidence to the colour photographs he took of British Caribbean people at home in the 1970s.

Families had photographs like this taken to send to their relatives in the Caribbean to show that they had settled well in Britain. The compositions of these images recall studio portraiture. The lighthearted nature of this photograph presents a more playful take on the domestic scene, as a young girl pretends to use the telephone.

The V&A acquired ten photographs by Kenlock alongside work by his contemporaries Charlie Phillips and Armet Francis as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives.


Object details

Categories
Object type
TitleUntitled [A young girl speaking on her parents' telephone in South London] (assigned by artist)
Materials and techniques
C-type print
Brief description
Photograph by Neil Kenlock, 'Untitled [A young girl speaking on her parents' telephone in South London]', C-type print, London, 1973, printed 2011
Physical description
A colour photograph of a young black girl smiling as she poses talking on a corded telephone in a living room. She is stood in the centre of the image and has a white bow in her hair, wearing jeans and a shirt with bright blue and orange details. Next to the telephone there is a vase of flowers. The room is decorated with wallpaper and carpet of different patterns.
Dimensions
  • Height: 340mm
  • Width: 340mm
Style
Gallery label
  • This is my home By the 1970s, owning a television or telephone was a marker of success. Their prominent positions in the photographs here reflect the sitters’ pride in their home and status. Neil Kenlock’s portraits are inspired by pictures people took to show their families living abroad that they had settled well in Britain. Kenlock moved to Britain from Jamaica in 1963 and documented the life of British Caribbean people at home. Woman in front of a television ‘Untitled’, photographed 1972, printed 2011 Photograph by Neil Kenlock C-type print Supported by the National Lottery Heritage Fund Museum no. E.306-2012 Girl speaking on the telephone ‘Untitled’, photographed 1973, printed 2011 Photograph by Neil Kenlock C-type print Supported by the National Lottery Heritage Fund Museum no. E.214-2012 The object sits in the 'Housing and Living' section of the Design 1900-Now gallery opened in June 2021. (2021)
  • Text label for the exhibition, 'Staying Power: Photographs of Black British Experience, 1950s-1990s 16 February – 24 May 2015 Neil Kenlock (born 1950) Untitled [Young Jamaican Lady Standing in Her Mother’s Front Room in Brixton Hill] Untitled [A Well Fully Clad Man Photographed Standing by His Television in Stockwell, South London] Untitled [Young Woman Seated on the Floor at Home in Front of Her Television Set] Untitled [A Young Girl Speaking on Her Parents’ Telephone in South London] 1972 – 73 Jamaican-born Kenlock made this series of photographs of Caribbean people at home in London in the 1970s. The sitters often sent these photographs to their relatives to show how well they had settled in Britain. The photographs resemble studio portraits, but instead of backdrops and props, the individuals pose in their own homes with their possessions, showing a sense of pride in their surroundings and belongings. C-type prints (printed 2011) Museum nos. E.212, 214, 215, 306-2012(16/02/2015-24/05/2015)
Credit line
Supported by the National Lottery Heritage Fund.
Object history
The V&A acquired this photograph as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives.
Subjects depicted
Summary
Photographer Neil Kenlock (born 1950) moved to London from Jamaica in 1963 and became determined to document black pride in the face of racial prejudice. Building on his background in protest photography, Kenlock brought the same sense of confidence to the colour photographs he took of British Caribbean people at home in the 1970s.

Families had photographs like this taken to send to their relatives in the Caribbean to show that they had settled well in Britain. The compositions of these images recall studio portraiture. The lighthearted nature of this photograph presents a more playful take on the domestic scene, as a young girl pretends to use the telephone.

The V&A acquired ten photographs by Kenlock alongside work by his contemporaries Charlie Phillips and Armet Francis as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives.
Associated objects
Bibliographic reference
Making & unmaking. Olowu, Duro. London : Ridinghouse : Camden Arts Centre, 2016. Published on the occasion of the exhibition held at the Camden Arts Centre, London, 19 June - 18 September 2016. Includes interview of Duro Olowu by Glenn Ligon.
Collection
Accession number
E.214-2012

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Record createdApril 5, 2012
Record URL
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