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1889 (printed)
Artist/Maker
Place of origin

Cover for a portfolio of 13 colour prints showing costumes for the ballet <i>Our Army and Navy</i> created for the Alhambra Theatre, London, by the theatrical costumier Charles Alias from designs by Lucien Besche. Printed by Alf Cooke, Leeds, 1889.

<i>Our Army and Navy</i> opened on 1 April 1889 at the Alhambra Theatre, Leicester Square. In essence it was a revised version of the ballet <i>Le Bivouac</i>, created in 1885 in response to the war in the Sudan and the death of General Gordon in Khartoum. The ballet was a patriotic work set in the Portsmouth docks and consisted largely of processions in formation.

The 'Dances and Evolutions' were arranged by Eugenio Casati to music selected, arranged and composed by Georges Jacobi. The costumes were made by Alias from designs by Lucien Besche, with accoutrements by Robert Bennett . The scenery representing Portsmouth harbour was by T.E. Ryan.

Six of the costumes in the portfolio represent a nationality incorporating national insignia and/or flags in sashes with a background showing a ‘typical’ national scene, and seven represent military uniforms worn by members of the British armed forces; the army and navy. The costumes were created for women performing ‘en travestie’ and emphasis the feminine body.

The ballet fell into three parts: The Assembly of the British servicemen; the Reception of Nations, and the March Past of the British with military exercises and sham fights, ending with <i>Rule Britannia</i>.

Object details

Categories
Object type
Materials and techniques
Printing ink on card, with fabric tape
Brief description
Cover for a portfolio of 13 costume designs for the ballet Our Army and Navy, Alhambra Theatre, London, 1889, produced by costumier Charles Alias from designs by Lucien Besche. Printed by Alf Cooke, Leeds. Harry Beard Collection
Physical description
Colour printed front and back covers bound together with white woven fabric tape, the front cover advertising Our Army and Navy at the Alhambra Theatre, with credits, the back advertising Charles Alias, costumier.
Dimensions
  • Height: 25cm
  • Width: 15.3cm
  • Width: 30.6
Cover, open
Marks and inscriptions
  • '2nd Edition. / PRICE: / ONE SHILLING. / ALHAMBRA / THEATRE, / LONDON / OUR / ARMY & NAVY / GRAND SPECTACLE / Music composed and arranged by G. JACOBI. / Dances & Evolutions arranged by Sigr. E. CASATI / Scenery by T. E. RYAN. / (Book of Costumes by C. ALIAS, / from Designs by L. BESCHE.) / Copyright registered. All rights reserved. / ALF COOKE, HER MAJESTY'S COLOR PRINTER, LEEDS.' (Printed on front cover)
  • 'Fancy Ball / COSTUMES / ALIAS / 36, Soho Square / LONDON. / COSTUMIER /TO THE / Principal London, Paris, American, / Provincial & Colonial Theatres. / Fancy Ball Costumes / Made from any Special Design, / if required / ON SALE OR HIRE.' (Printed on back cover)
Credit line
Harry R. Beard Collection, given by Isobel Beard
Summary
Cover for a portfolio of 13 colour prints showing costumes for the ballet <i>Our Army and Navy</i> created for the Alhambra Theatre, London, by the theatrical costumier Charles Alias from designs by Lucien Besche. Printed by Alf Cooke, Leeds, 1889.

<i>Our Army and Navy</i> opened on 1 April 1889 at the Alhambra Theatre, Leicester Square. In essence it was a revised version of the ballet <i>Le Bivouac</i>, created in 1885 in response to the war in the Sudan and the death of General Gordon in Khartoum. The ballet was a patriotic work set in the Portsmouth docks and consisted largely of processions in formation.

The 'Dances and Evolutions' were arranged by Eugenio Casati to music selected, arranged and composed by Georges Jacobi. The costumes were made by Alias from designs by Lucien Besche, with accoutrements by Robert Bennett . The scenery representing Portsmouth harbour was by T.E. Ryan.

Six of the costumes in the portfolio represent a nationality incorporating national insignia and/or flags in sashes with a background showing a ‘typical’ national scene, and seven represent military uniforms worn by members of the British armed forces; the army and navy. The costumes were created for women performing ‘en travestie’ and emphasis the feminine body.

The ballet fell into three parts: The Assembly of the British servicemen; the Reception of Nations, and the March Past of the British with military exercises and sham fights, ending with <i>Rule Britannia</i>.

Collection
Accession number
S.67:14-2012

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Record createdFebruary 28, 2012
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