Costume Design
1954 (made)
| Artist/Maker | |
| Place of origin |
Costume design by Kenneth Rowell for the Widow in William Shakespeare's play The Taming of the Shrew, Old Vic Company, 1954.
In 1953 the Directors of the Old Vic announced that the theatre would present all 36 of the plays published in Shakespeare's First Folio in the following five years. The Taming of the Shrew, directed by Denis Carey, opening on 30 November 1954. Kenneth Rowell designed the sets and costumes, creating a world of bright primary colours. 'There could be no doubt from the moment the curtain went up that this was to be a comedy' wrote Mary Clarke in the book which commemorated the second season of the five year plan. The costumes were loosely based on Elizabethan and Renaissance fashions. Rachel Roberts played the formidable widow who marries Bianca's unsuccessful suitor, Hortensio.
Kenneth Rowell (1920-1999) began designing for dance in his native Australia in the 1940s. Following the success of his designs for Ballet Rambert's 1949 Australian tour, Marie Rambert and Laurence Olivier recommended Rowell for a British Council scholarship, and in 1950 he came to London to study. Two years late John Gielgud commissioned him to create the costumes for Macbeth at Stratford-upon-Avon and this established Rowell as a major stage designer. Based in England for thirty years, he worked as both a designer and a painter, returning to live in Australia in 1982.
In 1953 the Directors of the Old Vic announced that the theatre would present all 36 of the plays published in Shakespeare's First Folio in the following five years. The Taming of the Shrew, directed by Denis Carey, opening on 30 November 1954. Kenneth Rowell designed the sets and costumes, creating a world of bright primary colours. 'There could be no doubt from the moment the curtain went up that this was to be a comedy' wrote Mary Clarke in the book which commemorated the second season of the five year plan. The costumes were loosely based on Elizabethan and Renaissance fashions. Rachel Roberts played the formidable widow who marries Bianca's unsuccessful suitor, Hortensio.
Kenneth Rowell (1920-1999) began designing for dance in his native Australia in the 1940s. Following the success of his designs for Ballet Rambert's 1949 Australian tour, Marie Rambert and Laurence Olivier recommended Rowell for a British Council scholarship, and in 1950 he came to London to study. Two years late John Gielgud commissioned him to create the costumes for Macbeth at Stratford-upon-Avon and this established Rowell as a major stage designer. Based in England for thirty years, he worked as both a designer and a painter, returning to live in Australia in 1982.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Watercolour, pencil and ink on paper |
| Brief description | Costume design by Kenneth Rowell for the Widow in William Shakespeare's play The Taming of the Shrew, Old Vic Company, 1954. |
| Physical description | Costume design for the Widow in The Taming of the Shrew, showing a full length female figure in a tight bodiced black dress with a 'farthingale' skirt, overskirt, full sleeves and grey hanging sleeves, the skirt and sleeves decorated with a pattern of white lines and diamonds shapes. the bodice with white lines radiating out from the point of the stomacher. She wears a black ruff and necklace and a black 'Mary Stuart' cap. |
| Dimensions |
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| Marks and inscriptions | 'The Widow / Rachel Roberts' (Annotation in pencil, right hand side.) |
| Literary reference | The Taming of the Shrew |
| Summary | Costume design by Kenneth Rowell for the Widow in William Shakespeare's play The Taming of the Shrew, Old Vic Company, 1954. In 1953 the Directors of the Old Vic announced that the theatre would present all 36 of the plays published in Shakespeare's First Folio in the following five years. The Taming of the Shrew, directed by Denis Carey, opening on 30 November 1954. Kenneth Rowell designed the sets and costumes, creating a world of bright primary colours. 'There could be no doubt from the moment the curtain went up that this was to be a comedy' wrote Mary Clarke in the book which commemorated the second season of the five year plan. The costumes were loosely based on Elizabethan and Renaissance fashions. Rachel Roberts played the formidable widow who marries Bianca's unsuccessful suitor, Hortensio. Kenneth Rowell (1920-1999) began designing for dance in his native Australia in the 1940s. Following the success of his designs for Ballet Rambert's 1949 Australian tour, Marie Rambert and Laurence Olivier recommended Rowell for a British Council scholarship, and in 1950 he came to London to study. Two years late John Gielgud commissioned him to create the costumes for Macbeth at Stratford-upon-Avon and this established Rowell as a major stage designer. Based in England for thirty years, he worked as both a designer and a painter, returning to live in Australia in 1982. |
| Collection | |
| Accession number | S.1146-2011 |
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| Record created | February 10, 2012 |
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