Petticoat thumbnail 1
On display

Petticoat

2005-2011 (made)
Artist/Maker
Place of origin

Lolita fashion emerged during the 1990s as a radical form of street style born out of the Japanese taste for Hello Kitty cuteness. Whether dressed in pink, powder blue, red, white or black, Lolitas are immediately recognisable by their doll-like make-up, frilly skirts, fanciful headgear, ribbons and lace. A striking feature of Lolita fashion is the extent to which it is influenced by British culture: Alice in Wonderland, Glam Rock, the New Romantics, Gothic, Punk and Vivienne Westwood. Although the attitude and aggression of Punk and Gothic have no place in the world of the Lolita, the movement represents a similarly powerful rebellion against the conventions of contemporary society. The first three sections of the display are devoted to Sweet, Gothic and Punk Lolita. The final section, Japanese Lolita, shows how a fascination with the exotic and alternative has resulted in the reappropriation and sometimes extreme recasting of traditional modes of Japanese dress.

Object details

Categories
Object type
Materials and techniques
Tulle, lace, elastic and plain woven cotton
Brief description
Petticoat, tulle, lace and cotton, designed by Kumiko Uehara at Baby, the Stars Shine Bright, Japan, 2005-2011
Physical description
Petticoat, of white synthetic tulle, with a lace hem and a white plain woven cotton elastic waistband.
Dimensions
  • Height: 44cm
  • Waist width: 28cm
  • Hem width: 88cm
Gallery label
(11/12/2012)
Baby, The Stars Shine Bright was established in Tokyo in 1988 by Akinori and Fumiyo Isobe. Its clothes are regarded as the epitome of the Sweet Lolita look. The company was launched to fame by the 2004 screen adaptation of Novala Takemoto's novel Shimotsuma Monogatari, in which the heroine dresses throughout in outfits by BTSSB. The film was re-released with English subtitles as Kamikaze Girls.
(04/11/2015)
Sweet Lolita ensemble
2011–12

This outfit by the cult brand Baby, the Stars Shine Bright is an example of the so-called Sweet Lolita (amarori) style. The pinafore dress is designed to be worn with bloomers, double petticoats and a lace-trimmed, puffed-sleeve blouse. The tea party print, clock and playing card motifs are all references to Alice in Wonderland, as is the style of the dress.

Baby, the Stars Shine Bright
Tokyo
Cotton, lace and synthetics; synthetic wig (by Prisila)
Given by Baby, the Stars Shine Bright
Museum nos. FE.305 to 313-2011; FE.5, 11-2012
(11/12/2012)
Baby, The Stars Shine Bright was established in Tokyo in 1988 by Akinori and Fumiyo Isobe. Its clothes are regarded as the epitome of the Sweet Lolita look. The company was launched to fame by the 2004 screen adaptation of Novala Takemoto's novel Shimotsuma Monogatari, in which the heroine dresses throughout in outfits by BTSSB. The film was re-released with English subtitles as Kamikaze Girls.
Credit line
Given by the designer
Object history
This item is part of one of the "Sweet Lolita" outfits on display from 23 April 2012 to January 2013 in the "Kitty and the Bulldog Lolita fashion and the influence of Britain" exhibition at the V&A. Part of the V&A British Design Season.
Summary
Lolita fashion emerged during the 1990s as a radical form of street style born out of the Japanese taste for Hello Kitty cuteness. Whether dressed in pink, powder blue, red, white or black, Lolitas are immediately recognisable by their doll-like make-up, frilly skirts, fanciful headgear, ribbons and lace. A striking feature of Lolita fashion is the extent to which it is influenced by British culture: Alice in Wonderland, Glam Rock, the New Romantics, Gothic, Punk and Vivienne Westwood. Although the attitude and aggression of Punk and Gothic have no place in the world of the Lolita, the movement represents a similarly powerful rebellion against the conventions of contemporary society. The first three sections of the display are devoted to Sweet, Gothic and Punk Lolita. The final section, Japanese Lolita, shows how a fascination with the exotic and alternative has resulted in the reappropriation and sometimes extreme recasting of traditional modes of Japanese dress.
Collection
Accession number
FE.309-2011

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Record createdNovember 25, 2011
Record URL
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