TP49
Teapot
2004 (made)
2004 (made)
| Artist/Maker | |
| Place of origin |
The designer, Robert Foster, gave this teapot a circular handle to emphasise the action of pouring, and placed the handle and spout off-centre. This, says Foster, enabled the ‘simple geometric forms to create a dynamic but harmonious dialogue’. He made the body of the teapot by pressing rectangular aluminium tubing into a tapered form and then coloured it by anodisation, using electricity.
Object details
| Categories | |
| Object type | |
| Title | TP49 (assigned by artist) |
| Materials and techniques | Aluminium, drop forged, anodised and polished, acrylic handle |
| Brief description | Aluminium, forged and anodized, acrylic lid, designed and made by Robert Foster, Queanbeyan (nr. Canberra, ACT) New South Wales, Australia, 2004. |
| Physical description | Teapot, the body of anodized aluminium, polished black, flat sides which all taper towards the top. The top, flat with a flat, polished black acrylic lid, half moulded end and is hinged by a horizontal steel pin which pass through the side walls of the body. The flat base is TIG welded to the side walls. The handle is a circular section of aluminium tube, brush finished and anodized a deep, rich blue and the spout, a short section of tube of identical diameter passes through the handle and is parallel to the base. The spout was also given a brushed finished before being anodized a gold colour. The handle and spout are bolted on from the inside and are insulated with heat resistant washers to seal and prevent the transfer of heat to these components. |
| Dimensions |
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| Marks and inscriptions | Incised with cross on the base (maker's mark). |
| Gallery label |
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| Historical context | This teapot was purchased from the Scottish Gallery stand at the COLLECT exhibition, organised by the Crafts Council, Victoria and Albert Museum, 09/02/2006 - 13/02/2006. |
| Summary | The designer, Robert Foster, gave this teapot a circular handle to emphasise the action of pouring, and placed the handle and spout off-centre. This, says Foster, enabled the ‘simple geometric forms to create a dynamic but harmonious dialogue’. He made the body of the teapot by pressing rectangular aluminium tubing into a tapered form and then coloured it by anodisation, using electricity. |
| Bibliographic reference | Merryn Gates ed. Robert Foster Critical Play, Lyneham, ACT, (Australia), SFA Press, 2013, p..53. ill. ISBN: 9780980B23356 |
| Collection | |
| Accession number | M.2-2006 |
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| Record created | May 4, 2006 |
| Record URL |
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