Request to view

This object can be requested via email from the Prints & Drawings Study Room

We don’t have an image of this object online yet.

More about images

V&A Images may have a photograph that we can’t show online, but it may be possible to supply one to you. Email us at vaimages@vam.ac.uk for guidance about fees and timescales, quoting the accession number: E.3473-2004

Sitting in the beach huts

Photograph
early 20th century (photographed)
Artist/Maker
Place of origin

Andrew Pitcairn-Knowles (born Rotterdam 1871, died Hastings 1956) was a pioneering photographic journalist who published his work in the new illustrated magazines of the late 19th and early 20th century. From the turn of the century he travelled around Europe, living in Berlin, Brussels, Paris and Jersey. With his eye for detail, timing and geometry, he accurately captured the leisure activities, sports and customs of the period. Besides their documentary value, his photographs have a quirky and almost surreal quality.
Leisure time is the main theme of Andrew Pitcairn-Knowles’ work. It is his biggest interest as such and can also be found in his ‘sports photography’ (a term which in fact sometimes has been used including leisure activities like travel en picnicking) and to a lesser extent, in his photographs about customs. Leisure time emerged in the late nineteenth century in the industrialized West, which resulted in new forms of leisure activities. Pitcairn-Knowles was particularly interested in big organised festivities and events such as dog racing, horse racing, fairs, the derby, markets and the carnival. He photographed the higher classes as well as the lower classes: from neatly dressed ladies in a rabbit race contest to a boy catching rats for rat-baiting. In almost every series the spectators play a big role.
At the seaside resort of Ostend, Belgium, Pitcairn-Knowles combined his passion for sports and games with his interest in people and their customs. He recorded all kinds of leisure activities on and near the beach: the motor races, dog races, shrimpers, and children riding sand yachts.

Object details

Categories
Object type
Titles
  • Sitting in the beach huts (generic title)
  • Blankenberge (series title)
Materials and techniques
Gelatine-silver print
Brief description
'Sitting in the beach huts', photograph by Andrew Pitcairn-Knowles, Blankenberge, early 20th century.
Physical description
In this photograph three beach huts (all called 'Leopold de Bisschop') are shown. In one of them a men is reading the paper, in an other a woman is sewing.
Dimensions
  • Height: 12.0cm
  • Width: 16.4cm
Marks and inscriptions
  • '015/5' (Donor's reference, verso, pencil.)
  • '0144706' (Topham Picture Library reference number, verso, pencil.)
  • 'A. PITCAIRN-KNOWLES, / RIPOSO, / ST. HELEN'S PARK, / HASTINGS.' (Verso, stamp.)
  • 'REPRODUCTION INTERDITE / COPYRIGHT' (Verso, stamp.)
Gallery label
While taking these photo g raphs Pi t c a i r n - K n owles was particularly
aware of pairs. This gives the photographs an uncanny atmosphere.
The effe ct is enhanced by the ghostlike appearance of the t wo
subjects: their faces are obscured and they wear white clothing.
Two bathing huts on wheels
Blankenberge, Belgium
About 1900
Museum no. E.3447-2004
Sitting inside the beach huts
Belgium
About 1900
Museum no. E.3473-2004
Credit line
Purchased through the Cecil Beaton Royalties Fund
Object history
Pitcairn-Knowles Archive purchased from Andrew Pitcairn-Knowles' grandson Richard Pitcairn-Knowles.
Historical context
Andrew Pitcairn-Knowles (born Rotterdam 1871, died Hastings 1956) was a pioneering photographic journalist who published his work in the new illustrated magazines of the late 19th and early 20th century. From the turn of the century he travelled around Europe, living in Berlin, Brussels, Paris and Jersey. With his eye for detail, timing and geometry, he accurately captured the leisure activities, sports and customs of the period. Besides their documentary value, his photographs have a quirky and almost surreal quality.
Leisure time is the main theme of Andrew Pitcairn-Knowles’ work. It is his biggest interest as such and can also be found in his ‘sports photography’ (a term which in fact sometimes has been used including leisure activities like travel en picnicking) and to a lesser extent, in his photographs about customs. Leisure time emerged in the late nineteenth century in the industrialized West, which resulted in new forms of leisure activities. Pitcairn-Knowles was particularly interested in big organised festivities and events such as dog racing, horse racing, fairs, the derby, markets and the carnival. He photographed the higher classes as well as the lower classes: from neatly dressed ladies in a rabbit race contest to a boy catching rats for rat-baiting. In almost every series the spectators play a big role.
At the seaside resort of Ostend, Belgium, Pitcairn-Knowles combined his passion for sports and games with his interest in people and their customs. He recorded all kinds of leisure activities on and near the beach: the motor races, dog races, shrimpers, and children riding sand yachts.
Subjects depicted
Summary
Andrew Pitcairn-Knowles (born Rotterdam 1871, died Hastings 1956) was a pioneering photographic journalist who published his work in the new illustrated magazines of the late 19th and early 20th century. From the turn of the century he travelled around Europe, living in Berlin, Brussels, Paris and Jersey. With his eye for detail, timing and geometry, he accurately captured the leisure activities, sports and customs of the period. Besides their documentary value, his photographs have a quirky and almost surreal quality.
Leisure time is the main theme of Andrew Pitcairn-Knowles’ work. It is his biggest interest as such and can also be found in his ‘sports photography’ (a term which in fact sometimes has been used including leisure activities like travel en picnicking) and to a lesser extent, in his photographs about customs. Leisure time emerged in the late nineteenth century in the industrialized West, which resulted in new forms of leisure activities. Pitcairn-Knowles was particularly interested in big organised festivities and events such as dog racing, horse racing, fairs, the derby, markets and the carnival. He photographed the higher classes as well as the lower classes: from neatly dressed ladies in a rabbit race contest to a boy catching rats for rat-baiting. In almost every series the spectators play a big role.
At the seaside resort of Ostend, Belgium, Pitcairn-Knowles combined his passion for sports and games with his interest in people and their customs. He recorded all kinds of leisure activities on and near the beach: the motor races, dog races, shrimpers, and children riding sand yachts.
Bibliographic reference
Pitcairn-Knowles, Richard. The Edwardian eye of Andrew Pitcairn-Knowles 1871-1056. Sussex: The Book Guild Ltd, 2000. Pitcairn-Knowles, Andrew, ’Oftend im Bade’ in Die Woche, 1 September 1906. Pitcairn-Knowles, Andrew, ’Oftenden Seezungen’, in Die Woche, 30 November 1907.
Other numbers
  • 015/5 - Donor's reference
  • 0144706 - Topham Picture Library reference number
Collection
Accession number
E.3473-2004

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdMay 3, 2006
Record URL
Download as: JSON