Napoleon I
Bust
1807-1809 (made)
1807-1809 (made)
Artist/Maker | |
Place of origin |
This bust of Napoleon I (1769-1821) is from a model by the French sculptor Antoine-Denis Chaudet (1763-1810). Chaudet worked in a Neoclassical style and the 'herm' form of this bust, with the shoulders cut off and straight sides, imitates that of Roman imperial portraits.
Chaudet made the original plaster model for the portrait in 1799. The final marble version of 1804 was the preferred image of Napoleon himself, who had recently been created Emperor of the French, and it became the official portrait, widely-reproduced. In fact biscuit (hard) porcelain versions of this bust in three sizes were made from 1805 at the Sèvres porcelain factory. Italy was under Napoleonic rule at this time and Napoleon had presented his sister, Elisa Baciocchi, with the principality of Lucca and Massa-Carrara, an area which included the Apuan Alps from which Carrara marble was extracted. She ordered the Carrara workshops to carve multiple copies of Chaudet's bust and no less than 1,200 marble versions of this portrait were carved by the workshops between 1807 and 1809. This example is probably one of these official portraits, originally made for public buildings in France. The majority were destroyed when the Bourbon monarchy was restored in 1814.
Chaudet made the original plaster model for the portrait in 1799. The final marble version of 1804 was the preferred image of Napoleon himself, who had recently been created Emperor of the French, and it became the official portrait, widely-reproduced. In fact biscuit (hard) porcelain versions of this bust in three sizes were made from 1805 at the Sèvres porcelain factory. Italy was under Napoleonic rule at this time and Napoleon had presented his sister, Elisa Baciocchi, with the principality of Lucca and Massa-Carrara, an area which included the Apuan Alps from which Carrara marble was extracted. She ordered the Carrara workshops to carve multiple copies of Chaudet's bust and no less than 1,200 marble versions of this portrait were carved by the workshops between 1807 and 1809. This example is probably one of these official portraits, originally made for public buildings in France. The majority were destroyed when the Bourbon monarchy was restored in 1814.
Object details
Categories | |
Object type | |
Title | Napoleon I (generic title) |
Materials and techniques | Marble, carved |
Brief description | Marble bust of Napoleon I, after a plaster model by Antoine-Denis Chaudet, Italy (Carrara), 1807-1809 |
Physical description | Bust of Napoleon I in Carrara marble |
Dimensions |
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Gallery label |
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Credit line | Given by Major Sir Rennie Maudslay. |
Object history | Chaudet made his plaster model for the portrait in 1799 and its form follows that of Roman imperial portraits. This was the image preferred by the Emperor Napoleon himself (1769-1821). |
Historical context | No less than 1,200 marble versions of this portrait were carved by the Carrara workshops between 1807 and 1809 on the orders of the Emperor's sister, Elisa Baciocchi, and this example is probably one of these official portraits for public buildings in France. The majority were destroyed when the Bourbon monarchy was restored in 1814. |
Subject depicted | |
Summary | This bust of Napoleon I (1769-1821) is from a model by the French sculptor Antoine-Denis Chaudet (1763-1810). Chaudet worked in a Neoclassical style and the 'herm' form of this bust, with the shoulders cut off and straight sides, imitates that of Roman imperial portraits. Chaudet made the original plaster model for the portrait in 1799. The final marble version of 1804 was the preferred image of Napoleon himself, who had recently been created Emperor of the French, and it became the official portrait, widely-reproduced. In fact biscuit (hard) porcelain versions of this bust in three sizes were made from 1805 at the Sèvres porcelain factory. Italy was under Napoleonic rule at this time and Napoleon had presented his sister, Elisa Baciocchi, with the principality of Lucca and Massa-Carrara, an area which included the Apuan Alps from which Carrara marble was extracted. She ordered the Carrara workshops to carve multiple copies of Chaudet's bust and no less than 1,200 marble versions of this portrait were carved by the workshops between 1807 and 1809. This example is probably one of these official portraits, originally made for public buildings in France. The majority were destroyed when the Bourbon monarchy was restored in 1814. |
Bibliographic references |
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Collection | |
Accession number | A.17-1948 |
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Record created | April 27, 2006 |
Record URL |
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