Ring
late 18th century (made)
Artist/Maker | |
Place of origin |
This ring was made to remember John and Elizabeth or Eliza Davys who died in 1783 and 1784 respectively. John was 70 and Elizabeth was 55. They were probably a married couple. The bezel of the ring is decorated with an enamelled funerary urn standing on a pedestal underneath a weeping willow made up of their hair. The foreground of the image is also made of chopped hair. The ring has mourning imagery but, like many late eighteenth century memorial jewels, does not use any obvious religious symbolism.
From the early seventeenth to the end of the nineteenth century, testators left money in their wills to have rings with commemorative inscriptions made and distributed to their friends and families. Simple bands enamelled with the name and life dates of the deceased were frequently made, sometimes set with a gemstone or a bezel set with a rock crystal covering a symbol such as a coffin or initials in gold wire. In the later 18th century, rings followed neo-classical designs, their oval bezels often decorated with the same designs as funerary monuments such as urns, broken pillars and mourning figures. Hair from the deceased was incorporated into the designs or set in a compartment at the back of the ring to give each jewel a uniquely personal element. Black or white enamel were favoured though white enamel was often, though not universally used to commemorate children and unmarried adults. By the end of the 19th century, memorial ring designs were becoming more standardised. The hoops were often inscribed with phrases such as 'In memory' whilst a commemorative inscription could be added to the inside of the hoop. The custom of giving rings as memorials gradually declined in the early 20th century, although the Goldsmiths Journal suggests that some were still being sold in the 1930s.
From the early seventeenth to the end of the nineteenth century, testators left money in their wills to have rings with commemorative inscriptions made and distributed to their friends and families. Simple bands enamelled with the name and life dates of the deceased were frequently made, sometimes set with a gemstone or a bezel set with a rock crystal covering a symbol such as a coffin or initials in gold wire. In the later 18th century, rings followed neo-classical designs, their oval bezels often decorated with the same designs as funerary monuments such as urns, broken pillars and mourning figures. Hair from the deceased was incorporated into the designs or set in a compartment at the back of the ring to give each jewel a uniquely personal element. Black or white enamel were favoured though white enamel was often, though not universally used to commemorate children and unmarried adults. By the end of the 19th century, memorial ring designs were becoming more standardised. The hoops were often inscribed with phrases such as 'In memory' whilst a commemorative inscription could be added to the inside of the hoop. The custom of giving rings as memorials gradually declined in the early 20th century, although the Goldsmiths Journal suggests that some were still being sold in the 1930s.
Object details
Categories | |
Object type | |
Materials and techniques | Enamelled and engraved gold with worked hair on a bone or ivory ground |
Brief description | Gold mourning ring enamelled in blue and white. The Marquise bezel with an enamelled urn and a weeping willow worked in hair. Inscribed on the back of the bezel John Davys Esqr. Ob.22 April 1783 Aet.70; Eliz. Davys Obt. 7 Dec 1784 Aet.55. England, late 18th century |
Physical description | Gold mourning ring enamelled in blue and white. The pointed oval bezel is bordered by gold beading and a band of blue enamel with small gold dots. The centre of the bezel holds a bone or ivory panel decorated with an enamelled urn on a square based pedestal set a weeping willow worked in hair. The foreground of the image is also made up of chopped hair. The back of the bezel is inscribed in italic lettering John Davys Esqr. Ob.22 April 1783 Aet.70 Eliz. Davys Obt. 7 Dec 1784 Aet.55.. The narrow gold band widens at the shoulders to meet the bezel |
Dimensions |
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Marks and inscriptions |
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Object history | Part of a group of memorial and mourning jewels bought from Dr Marco Guastalla, acting on behalf of 'an English lady residing in Italy' (museum numbers 846-1888 to 989-1888) |
Subjects depicted | |
Summary | This ring was made to remember John and Elizabeth or Eliza Davys who died in 1783 and 1784 respectively. John was 70 and Elizabeth was 55. They were probably a married couple. The bezel of the ring is decorated with an enamelled funerary urn standing on a pedestal underneath a weeping willow made up of their hair. The foreground of the image is also made of chopped hair. The ring has mourning imagery but, like many late eighteenth century memorial jewels, does not use any obvious religious symbolism. From the early seventeenth to the end of the nineteenth century, testators left money in their wills to have rings with commemorative inscriptions made and distributed to their friends and families. Simple bands enamelled with the name and life dates of the deceased were frequently made, sometimes set with a gemstone or a bezel set with a rock crystal covering a symbol such as a coffin or initials in gold wire. In the later 18th century, rings followed neo-classical designs, their oval bezels often decorated with the same designs as funerary monuments such as urns, broken pillars and mourning figures. Hair from the deceased was incorporated into the designs or set in a compartment at the back of the ring to give each jewel a uniquely personal element. Black or white enamel were favoured though white enamel was often, though not universally used to commemorate children and unmarried adults. By the end of the 19th century, memorial ring designs were becoming more standardised. The hoops were often inscribed with phrases such as 'In memory' whilst a commemorative inscription could be added to the inside of the hoop. The custom of giving rings as memorials gradually declined in the early 20th century, although the Goldsmiths Journal suggests that some were still being sold in the 1930s. |
Bibliographic reference | Oman, Charles, Catalogue of rings in the Victoria and Albert Museum, London, 1930, reprinted Ipswich, 1993, 847 |
Collection | |
Accession number | 911-1888 |
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Record created | April 25, 2006 |
Record URL |
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