Very large gilt bronze or copper rings set with glass or crystal bezels are often known as Papal rings. They are decorated with the arms of Popes or Cardinals from the 15th century along with papal keys and tiaras and are usually distinguished by their great size and low intrinsic value. Their exact function is unknown but it has been suggested that they were worn as credentials by mounted couriers between Popes and other church figures and sovereigns. They served to prove the identity of the messager but were not of a value which would tempt thieves.

These rings were very popular with nineteenth century antiquarians and it is likely that out of the 100 plus surviving examples, some were made later to satisfy the demands of collectors.

This ring forms part of a collection of over 600 rings and engraved gems from the collection of Edmund Waterton (1830-81). Waterton was one of the foremost ring collectors of the nineteenth century and was the author of several articles on rings, a book on English devotion to the Virgin Mary and an unfinished catalogue of his collection (the manuscript is now the National Art Library). Waterton was noted for his extravagance and financial troubles caused him to place his collection in pawn with the London jeweller Robert Phillips. When he was unable to repay the loan, Phillips offered to sell the collection to the Museum and it was acquired in 1871. A small group of rings which Waterton had held back were acquired in 1899.

Edmund Waterton used the fortune which was made by his family’s involvement in the British Guiana sugar plantations to put his collection together. His grandfather owned a plantation known as Walton Hall and his father, Charles Waterton, went to Guiana as a young man to help run La Jalousie and Fellowship, plantations which belonged to his uncles. When slavery was abolished in the British territories, Charles Waterton claimed £16283 6s 7d in government compensation and was recorded as having 300 enslaved people on the Walton Hall estate.