Brooch
1775-1800 (made)
| Artist/Maker | |
| Place of origin |
Memorial jewellery to honour the dead is one of the largest categories of 18th- century jewellery to survive. Many mourning jewels have inscriptions that record the name and dates of the dead person.
From 1760 there was a new vogue for memorial medallions or lockets. These became especially popular in Britain, though similar work was produced throughout Europe.
The lockets could be bought ready made, and the designs were standardised. Neo-classical motifs of funerary urns, plinths and obelisks joined the more traditional cherubs, angels and weeping willows. Hair was preserved as curls within the locket, or cut up and used to create designs.
From 1760 there was a new vogue for memorial medallions or lockets. These became especially popular in Britain, though similar work was produced throughout Europe.
The lockets could be bought ready made, and the designs were standardised. Neo-classical motifs of funerary urns, plinths and obelisks joined the more traditional cherubs, angels and weeping willows. Hair was preserved as curls within the locket, or cut up and used to create designs.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Enamelled gold, ivory, watercolour, hair, glass |
| Brief description | Gold brooch or pin with an enamelled gold frame, ivory painted in watercolour with a miniature of a woman seated by a tomb beneath a willow, England, 1775-1800 |
| Physical description | Gold brooch or pin with an enamelled gold frame, ivory painted in watercolour with a miniature of a woman seated by a tomb beneath a willow with hair in design |
| Dimensions |
|
| Object history | Part of a group of memorial and mourning jewels bought from Dr Marco Guastalla, acting on behalf of 'an English lady residing in Italy' (museum numbers 846-1888 to 989-1888) |
| Subjects depicted | |
| Summary | Memorial jewellery to honour the dead is one of the largest categories of 18th- century jewellery to survive. Many mourning jewels have inscriptions that record the name and dates of the dead person. From 1760 there was a new vogue for memorial medallions or lockets. These became especially popular in Britain, though similar work was produced throughout Europe. The lockets could be bought ready made, and the designs were standardised. Neo-classical motifs of funerary urns, plinths and obelisks joined the more traditional cherubs, angels and weeping willows. Hair was preserved as curls within the locket, or cut up and used to create designs. |
| Collection | |
| Accession number | 963-1888 |
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| Record created | April 6, 2006 |
| Record URL |
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