Westbourne Park Tube Station
Photograph
1967 (photographed)
1967 (photographed)
| Artist/Maker | |
| Place of origin |
Charlie Phillips moved to London from Jamaica in 1956 and began to document life in his local community, taking photographs with a Kodak Brownie camera he had been given by a black American serviceman. Phillips lived in Notting Hill, an area of London with a large British Caribbean community following the mass migration from the Caribbean in the immediate post-war period. His photographs form a visual record of this part of London during the 1960s, especially the growing black population and its impact on local culture.
The V&A acquired ten photographs by Charlie Phillips as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives.
The V&A acquired ten photographs by Charlie Phillips as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives.
Object details
| Categories | |
| Object type | |
| Title | Westbourne Park Tube Station (generic title) |
| Materials and techniques | Gelatin silver print |
| Brief description | Photograph by Charlie Phillips, 'Westbourne Park Tube Station', gelatin silver print, London, 1967 |
| Physical description | A black and white photograph of a black man standing in front of a London Underground sign for Westbourne Park tube station. He stands in the centre of the image with his hands on his hips, wearing sunglasses and a blazer. On the wall behind him, as well as the large London Underground sign, there are two posters; the first has the title ‘ROUNDABOUT’ and the second ‘THE LONDON OF CHARLES DICKENS’. |
| Dimensions |
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| Style | |
| Gallery label |
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| Credit line | Supported by the National Lottery Heritage Fund. |
| Object history | The V&A acquired this photograph as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives. |
| Subjects depicted | |
| Association | |
| Summary | Charlie Phillips moved to London from Jamaica in 1956 and began to document life in his local community, taking photographs with a Kodak Brownie camera he had been given by a black American serviceman. Phillips lived in Notting Hill, an area of London with a large British Caribbean community following the mass migration from the Caribbean in the immediate post-war period. His photographs form a visual record of this part of London during the 1960s, especially the growing black population and its impact on local culture. The V&A acquired ten photographs by Charlie Phillips as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives. |
| Associated objects | |
| Bibliographic reference | Phillips, Charlie and Mike Phillips. Notting Hill in the Sixties. (London: Lawrence & Wishart Ltd, 1991, ISBN 0 85315 751 0) |
| Collection | |
| Accession number | E.266-2011 |
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| Record created | July 12, 2011 |
| Record URL |
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