Jar
2005-2006 (made)
Artist/Maker | |
Place of origin |
Yi Kang-hyo, or Kang-Hyo Lee as he is sometimes called, is known for his innovations on traditional Punchong pottery. Indigenous Korean clays are dark in colour and rich in iron oxide, which fires to a deep chocolate brown. White slip was added to coat the brown clay and lighten the colour of the pots. When the pot was dry, the slip could be scraped away to reveal a pattern traced into the clay. Humorous and symbolic drawings were sometimes incised through the slip to reveal the clay beneath. Finally, a simple ash glaze would be applied thinly, giving the pot a pale jade green or soft grey blue tinge.
In this jar, Yi uses the slip in a spontaneous and fluid way, drawing naive representations of birds through the slip with his fingers. At the same time, the traditional ingredients of Punchong are unchanged: dark clay, white slip, and an ash glaze.
In this jar, Yi uses the slip in a spontaneous and fluid way, drawing naive representations of birds through the slip with his fingers. At the same time, the traditional ingredients of Punchong are unchanged: dark clay, white slip, and an ash glaze.
Object details
Categories | |
Object type | |
Materials and techniques | Stoneware, glazed |
Brief description | Jar, slip-covered stoneware (punchong) with representations of birds, by Lee Kang-Hyo |
Physical description | Stoneware decorated with slip, glazed with ash which provides a pale jade green to soft grey-blue colour. |
Dimensions |
|
Style | |
Marks and inscriptions | Artist's inscription on base of pot |
Gallery label |
|
Credit line | Given by Bernard and Sue Pucker in Honour of Richard Neustadt |
Production | Born 1961. Artist is also sometimes known as Kang-Hyo Lee |
Subject depicted | |
Summary | Yi Kang-hyo, or Kang-Hyo Lee as he is sometimes called, is known for his innovations on traditional Punchong pottery. Indigenous Korean clays are dark in colour and rich in iron oxide, which fires to a deep chocolate brown. White slip was added to coat the brown clay and lighten the colour of the pots. When the pot was dry, the slip could be scraped away to reveal a pattern traced into the clay. Humorous and symbolic drawings were sometimes incised through the slip to reveal the clay beneath. Finally, a simple ash glaze would be applied thinly, giving the pot a pale jade green or soft grey blue tinge. In this jar, Yi uses the slip in a spontaneous and fluid way, drawing naive representations of birds through the slip with his fingers. At the same time, the traditional ingredients of Punchong are unchanged: dark clay, white slip, and an ash glaze. |
Bibliographic reference | Phil Rogers, 'Expressions of Nature: New Work by Kang Hyo Lee', Catalogue, Pucker Gallery, Boston 2006 |
Collection | |
Accession number | FE.3-2006 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | March 31, 2006 |
Record URL |
Download as: JSON