Drawing
early 20th Century (drawn)
Artist/Maker | |
Place of origin |
Bernard Partridge (1861-1945) was a painter and illustrator who became the principal cartoonist of Punch magazine. He acted at the Lyceum in his youth, using the name Bernard Gould, and made many drawings of Irving, some which appeared in the theatre's souvenir programmes. His work has provided both a record of costumes and scenery and of the dramatic effect of Irving's performances.
This image shows the actor Henry Irving (1838-1905) in an unidentified production. Irving became a professional actor in 1856, and learned his trade in regional theatres until 1866, when he came to London. He joined the Lyceum Theatre company under the management of H. L. Bateman in 1871, winning great acclaim that year for his psychologically developed characterisation of the guilt-ridden inn-keeper Mathias in Leopold Lewis's melodrama The Bells. He took on the responsibilities of 'actor-manager' in 1878 when he assumed the management of the Lyceum, and remained there until 1902, enjoying star status with his leading lady Ellen Terry (1847-1928). Irving produced a diverse range of old and new plays at the Lyceum, including Shakespeare, historical drama, and literary adaptations. His tireless work to elevate the status of the theatrical profession was rewarded in 1895 when he became the first actor ever to receive a knighthood for services to the Theatre.
This image shows the actor Henry Irving (1838-1905) in an unidentified production. Irving became a professional actor in 1856, and learned his trade in regional theatres until 1866, when he came to London. He joined the Lyceum Theatre company under the management of H. L. Bateman in 1871, winning great acclaim that year for his psychologically developed characterisation of the guilt-ridden inn-keeper Mathias in Leopold Lewis's melodrama The Bells. He took on the responsibilities of 'actor-manager' in 1878 when he assumed the management of the Lyceum, and remained there until 1902, enjoying star status with his leading lady Ellen Terry (1847-1928). Irving produced a diverse range of old and new plays at the Lyceum, including Shakespeare, historical drama, and literary adaptations. His tireless work to elevate the status of the theatrical profession was rewarded in 1895 when he became the first actor ever to receive a knighthood for services to the Theatre.
Object details
Category | |
Object type | |
Materials and techniques | Charcoal, pencil and gouache on paper |
Brief description | Drawing by Bernard Partridge of Henry Irving in an unidentified production, early twentieth century. |
Physical description | Full length portrait of Henry Irving in an unidentified production. He is positioned next to a table, an open document on its top, and is standing with his left hand on his hip, his right, hanging by his side. He is dressed in an a calf length overcoat with deep revers at the collar and turned back cuffs. Beneath this he wears a pale waistcoat over a plain shirt and dark necktie, and fall front breeches which finish in polished boots which finish just below the knee. The sketch is signed in the bottom right hand corner. |
Dimensions |
|
Marks and inscriptions | 'Bernard Partridge' (Signature, bottom right hand corner) |
Credit line | Gabrielle Enthoven Collection |
Subject depicted | |
Summary | Bernard Partridge (1861-1945) was a painter and illustrator who became the principal cartoonist of Punch magazine. He acted at the Lyceum in his youth, using the name Bernard Gould, and made many drawings of Irving, some which appeared in the theatre's souvenir programmes. His work has provided both a record of costumes and scenery and of the dramatic effect of Irving's performances. This image shows the actor Henry Irving (1838-1905) in an unidentified production. Irving became a professional actor in 1856, and learned his trade in regional theatres until 1866, when he came to London. He joined the Lyceum Theatre company under the management of H. L. Bateman in 1871, winning great acclaim that year for his psychologically developed characterisation of the guilt-ridden inn-keeper Mathias in Leopold Lewis's melodrama The Bells. He took on the responsibilities of 'actor-manager' in 1878 when he assumed the management of the Lyceum, and remained there until 1902, enjoying star status with his leading lady Ellen Terry (1847-1928). Irving produced a diverse range of old and new plays at the Lyceum, including Shakespeare, historical drama, and literary adaptations. His tireless work to elevate the status of the theatrical profession was rewarded in 1895 when he became the first actor ever to receive a knighthood for services to the Theatre. |
Associated object | |
Collection | |
Accession number | S.335-2011 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | June 15, 2011 |
Record URL |
Download as: JSON