Ring
1300-1400 (made)
Artist/Maker | |
Place of origin |
During the Middle Ages, gemstones were most often set as polished but unfaceted cabochons and were chosen for their magical or medicinal properties as much as their aesthetic appeal. Sapphires were highly valued for their heavenly blue colour and supposed magical qualities. They were believed to cool the body, soothe headaches and ulcers, and cure stammers.
This ring was said to have been found in the tomb of a French bishop. From the 12th century, bishops were given rings as part of their consecration service as a symbol of commitment to the Church. Rings found in bishops' tombs suggest that sapphires were particularly favoured.
This ring forms part of a collection of 760 rings and engraved gems from the collection of Edmund Waterton (1830-87). Waterton was one of the foremost ring collectors of the nineteenth century and was the author of several articles on rings, a book on English devotion to the Virgin Mary and an unfinished catalogue of his collection (the manuscript is now the National Art Library). Waterton was noted for his extravagance and financial troubles caused him to place his collection in pawn with the London jeweller Robert Phillips. When he was unable to repay the loan, Phillips offered to sell the collection to the Museum and it was acquired in 1871. A small group of rings which Waterton had held back were acquired in 1899.
This ring was said to have been found in the tomb of a French bishop. From the 12th century, bishops were given rings as part of their consecration service as a symbol of commitment to the Church. Rings found in bishops' tombs suggest that sapphires were particularly favoured.
This ring forms part of a collection of 760 rings and engraved gems from the collection of Edmund Waterton (1830-87). Waterton was one of the foremost ring collectors of the nineteenth century and was the author of several articles on rings, a book on English devotion to the Virgin Mary and an unfinished catalogue of his collection (the manuscript is now the National Art Library). Waterton was noted for his extravagance and financial troubles caused him to place his collection in pawn with the London jeweller Robert Phillips. When he was unable to repay the loan, Phillips offered to sell the collection to the Museum and it was acquired in 1871. A small group of rings which Waterton had held back were acquired in 1899.
Object details
Categories | |
Object type | |
Materials and techniques | Gold set with a sapphire and garnet |
Brief description | Gold ring with flower-shaped bezel set with a sapphire and a garnet, Western Europe, 1300-1400. |
Physical description | Gold ring, the chased flower-shaped bezel set with a sapphire. The shoulders having settings for stones, one holding a garnet, the other empty |
Dimensions |
|
Object history | Ex Waterton Collection. An episcopal ring, said by Waterton to have been found in the tomb of a French bishop and presented to him by Robert Curzon. |
Subject depicted | |
Summary | During the Middle Ages, gemstones were most often set as polished but unfaceted cabochons and were chosen for their magical or medicinal properties as much as their aesthetic appeal. Sapphires were highly valued for their heavenly blue colour and supposed magical qualities. They were believed to cool the body, soothe headaches and ulcers, and cure stammers. This ring was said to have been found in the tomb of a French bishop. From the 12th century, bishops were given rings as part of their consecration service as a symbol of commitment to the Church. Rings found in bishops' tombs suggest that sapphires were particularly favoured. This ring forms part of a collection of 760 rings and engraved gems from the collection of Edmund Waterton (1830-87). Waterton was one of the foremost ring collectors of the nineteenth century and was the author of several articles on rings, a book on English devotion to the Virgin Mary and an unfinished catalogue of his collection (the manuscript is now the National Art Library). Waterton was noted for his extravagance and financial troubles caused him to place his collection in pawn with the London jeweller Robert Phillips. When he was unable to repay the loan, Phillips offered to sell the collection to the Museum and it was acquired in 1871. A small group of rings which Waterton had held back were acquired in 1899. |
Bibliographic references |
|
Collection | |
Accession number | 90-1899 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | March 14, 2006 |
Record URL |
Download as: JSONIIIF Manifest