Qipao
1950s (made)
Artist/Maker | |
Place of origin |
The qipao was traditionally the costume of the Manchu people, and the style was adopted by Chinese women from the Qing Dynasty. By the twentieth century the shapes and styles of the traditional dress were changing. One of the adaptations made was to shorten it and tailor it more sharply so that it outlined the contours of the body, allowing freer movement.
The qipao, or cheongsam as it is also known, became fashionable amongst women, especially those living in urban areas. To some, the qipao was a risqué garment because it exposed female flesh and accentuated the curves of the body. It is often associated with the high life of Shanghai and its glamour, and the style was popularised by cinema and the advertising industry.
This dress is made from grey satin. It is lined with lightweight grey plain silk and edged in narrow grey satin. It has short sleeves and a stand-up, stiffened collar fastened with a hook and eye. The front panel is decorated with asymmetric lilies which are embroidered onto the satin in red with white centres and grey and white foliage. The design curls down from the left shoulder, across the top front, and down across the skirt section. There is a spray with a red lily bud embroidered on either side of the collar front.
The dress is closed with press-studs across the collarbone to the right and down under the arm where there is then a zip-fastener in the side seam. There are bust darts at the front and waist darts at the back only.
The qipao, or cheongsam as it is also known, became fashionable amongst women, especially those living in urban areas. To some, the qipao was a risqué garment because it exposed female flesh and accentuated the curves of the body. It is often associated with the high life of Shanghai and its glamour, and the style was popularised by cinema and the advertising industry.
This dress is made from grey satin. It is lined with lightweight grey plain silk and edged in narrow grey satin. It has short sleeves and a stand-up, stiffened collar fastened with a hook and eye. The front panel is decorated with asymmetric lilies which are embroidered onto the satin in red with white centres and grey and white foliage. The design curls down from the left shoulder, across the top front, and down across the skirt section. There is a spray with a red lily bud embroidered on either side of the collar front.
The dress is closed with press-studs across the collarbone to the right and down under the arm where there is then a zip-fastener in the side seam. There are bust darts at the front and waist darts at the back only.
Object details
Categories | |
Object type | |
Materials and techniques | Satin-weave silk; embroidery in silk threads |
Brief description | Dress for a woman (qipao), satin-weave silk; embroidery in silk threads, Hong Kong, 1950s |
Physical description | Woman's dress (cheongsam or qipao) of grey silk satin ground embroidered in red, grey, white floss silks in satin stitch. The front panel is decorated with asymmetric lilies, grey and white foliage. The design curls down from the left shoulder, across the top front, and down across the skirt section. There is a spray of red lily buds embroidered on either side of the collar front. The dress is a mid calf length garment with slits at the sides (c. 25 cm). The dress has a press-stud fastening on the right side and a zip-fastener in the side seam. It has short sleeves and a high, stiff stand-up collar that fastens with a hook and eye. The garment is fitted to the waist and chest, with bust darts at the front and waist darts at the back only. The dress is lined throughout with light weight grey plain woven silk lining. |
Dimensions |
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Production type | Unique |
Credit line | Given by Richard A. and Janey M.Y. Cheu, in memory of Dr Henry D. Cheu |
Object history | The dress belonged to Alice Cheu (1914-1979) and was donated by her stepson and step daughter-in-law (Richard and Janey Cheu) to the museum. |
Subject depicted | |
Association | |
Summary | The qipao was traditionally the costume of the Manchu people, and the style was adopted by Chinese women from the Qing Dynasty. By the twentieth century the shapes and styles of the traditional dress were changing. One of the adaptations made was to shorten it and tailor it more sharply so that it outlined the contours of the body, allowing freer movement. The qipao, or cheongsam as it is also known, became fashionable amongst women, especially those living in urban areas. To some, the qipao was a risqué garment because it exposed female flesh and accentuated the curves of the body. It is often associated with the high life of Shanghai and its glamour, and the style was popularised by cinema and the advertising industry. This dress is made from grey satin. It is lined with lightweight grey plain silk and edged in narrow grey satin. It has short sleeves and a stand-up, stiffened collar fastened with a hook and eye. The front panel is decorated with asymmetric lilies which are embroidered onto the satin in red with white centres and grey and white foliage. The design curls down from the left shoulder, across the top front, and down across the skirt section. There is a spray with a red lily bud embroidered on either side of the collar front. The dress is closed with press-studs across the collarbone to the right and down under the arm where there is then a zip-fastener in the side seam. There are bust darts at the front and waist darts at the back only. |
Collection | |
Accession number | FE.52-1997 |
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Record created | February 28, 2006 |
Record URL |
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