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Not currently on display at the V&A

A Cat Watching Butterflies

Woodblock Print
ca. 1765-70 (made)
Artist/Maker
Place of origin

A cat stares intently at two butterflies in this charming Japanese print, which displays a number of interesting techniques. The cat's contours have been skilfully rendered in katazuri, or embossing. Most of the print has been executed in a technique known as musenzuri, whereby the usual black outlines are left out.

Suzuki Harunobu was a printmaker and painter of the Edo period (1615–1868) and a seminal figure in the history of Japanese art. His most accomplished prints date to the last five years of his life and utilise new developments in the production of polychrome prints from multiple woodblocks. By carving registration marks (kentô) on the block and using them to align the paper, artists were no longer limited in the number of blocks they could use to produce a single print. Such prints are called nishiki-e (‘brocade pictures’) after the magnificent brocades produced in the Nishijin district of Kyoto.


Object details

Category
Object type
TitleA Cat Watching Butterflies (generic title)
Materials and techniques
Colour print from wood blocks, with embossing
Dimensions
  • Height: 26.6cm
  • Width: 20.5cm
Chûban
Style
Object history
Purchased from E. Parsons & Sons, accessioned in 1897. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project.
Summary
A cat stares intently at two butterflies in this charming Japanese print, which displays a number of interesting techniques. The cat's contours have been skilfully rendered in katazuri, or embossing. Most of the print has been executed in a technique known as musenzuri, whereby the usual black outlines are left out.

Suzuki Harunobu was a printmaker and painter of the Edo period (1615–1868) and a seminal figure in the history of Japanese art. His most accomplished prints date to the last five years of his life and utilise new developments in the production of polychrome prints from multiple woodblocks. By carving registration marks (kentô) on the block and using them to align the paper, artists were no longer limited in the number of blocks they could use to produce a single print. Such prints are called nishiki-e (‘brocade pictures’) after the magnificent brocades produced in the Nishijin district of Kyoto.
Bibliographic references
  • Ukiyoe: Il Mondo Fluttuante (2004), pp.171
  • Masterpieces of Japanese Prints: The European Collections: Ukiyoe from the Victoria and Albert Museum (1991), p.56 and 139
Collection
Accession number
E.4374-1897

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Record createdFebruary 27, 2006
Record URL
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