Katherine in The Taming of the Shrew
Figurine
ca.1880 (made)
ca.1880 (made)
Artist/Maker | |
Place of origin |
This figurine of Katherine, one of a series of Shakespeare characters, was made in Paris by the company of Edmé Samson, a famous copyist of pottery and porcelain. Samson established his factory in Paris in 1845, producing pieces inspired by and copied from the work of famous factories, including Meissen, Sèvres, Chelsea, Derby and all the major factories of England, France and Germany, as well as tin-glazed earthenware or faience. He claimed to mark all pieces with his own double 'S' mark as well as the mark of the original piece, but in many cases his own mark is missing.
Object details
Categories | |
Object type | |
Title | Katherine in The Taming of the Shrew (generic title) |
Materials and techniques | Glazed porcelain |
Brief description | Figurine of Katherine in Shakespeare's play The Taming of the Shrew, Samson & Company copy of a Crown Derby figure. French, late 19th century |
Physical description | Figurine of Katherine standing on a rococo-style base decorated with gold lines, wearing a dress with a dark blue bodice and a square-cut neckline, stand-up collar, slashed sleeves revealing yellow lining, white cuffs, and a yellow skirt decorated with floral patterns within floral-shaped roundels edged in magenta, with a turquoise overskirt. She is looking straight in front of her and has her right hand to her bodice, her left to her skirt. |
Dimensions |
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Marks and inscriptions | 'Katharine' (Inscribe in black on the base in cursive script.) |
Credit line | Accepted by HM Government in lieu of Inheritance Tax and allocated to the Victoria and Albert Museum, 1996 |
Literary reference | The Taming of the Shrew |
Summary | This figurine of Katherine, one of a series of Shakespeare characters, was made in Paris by the company of Edmé Samson, a famous copyist of pottery and porcelain. Samson established his factory in Paris in 1845, producing pieces inspired by and copied from the work of famous factories, including Meissen, Sèvres, Chelsea, Derby and all the major factories of England, France and Germany, as well as tin-glazed earthenware or faience. He claimed to mark all pieces with his own double 'S' mark as well as the mark of the original piece, but in many cases his own mark is missing. |
Collection | |
Accession number | S.971-1996 |
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Record created | February 23, 2006 |
Record URL |
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