Not on display

Tea Kettle

1906-1907 (made)
Artist/Maker
Place of origin

Charles Robert Ashbee established the Guild of Handicraft in 1888. Influenced by Ruskin and Morris, he intended the Guild to be a co-operative venture which would encourage the full creative potential of the craftsman. At the turn of the century, the Guild was at the height of its success and had evolved a distinctive and mature style. Softly planished surfaces decorated with chasing and embossing were characteristic of Ashbee's designs and had a significant effect on contemporary silver in Europe and America as well as Britain. Financially however, the Guild was less successful and in 1908, Ashbee was forced to wind up its affairs.

Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Tea Kettle
  • Stand
Materials and techniques
Silver, ivory and a mounted cabochon
Brief description
Tea kettle and stand, silver and ivory, London hallmarks for 1906-7, mark of the Guild of Handicraft, designed by C.R. Ashbee.
Physical description
Tea-kettle and stand, 1906. Silver with ivory handle, the finial set with a semi-precious stone. The body of the kettle, a truncated cone with a frieze of embossed floral ornament around the base, a plain spout, domed lid with an embossed floral frieze encircling the centre and a knop, a mounted cabochon supported on a wire frame. The handle, a circular loop with a curved ivory insulator at the apex. The stand, a plain circular moulding supported on four, equidistantly place ball feet, four vertical supports hold the circular plate on which the kettle rests, beneath a burner with a circular reservoir supported in the centre by a wire frame. The surfaces are left with a hammered finish.
Dimensions
  • Height: 29.2cm
Style
Production typeUnique
Marks and inscriptions
  • London hallmarks for 1906-1907
  • Mark of the Guild of Handicraft.
Credit line
Lent by the Keatley Trust
Subject depicted
Summary
Charles Robert Ashbee established the Guild of Handicraft in 1888. Influenced by Ruskin and Morris, he intended the Guild to be a co-operative venture which would encourage the full creative potential of the craftsman. At the turn of the century, the Guild was at the height of its success and had evolved a distinctive and mature style. Softly planished surfaces decorated with chasing and embossing were characteristic of Ashbee's designs and had a significant effect on contemporary silver in Europe and America as well as Britain. Financially however, the Guild was less successful and in 1908, Ashbee was forced to wind up its affairs.
Bibliographic reference
Crawford, Alan. C.R. Ashbee Architect, Designer & Romantic Socialist. New Haven and London, Yale University Press, 1985. pp.339-40. ill. pl.171. ISBN: 0-300-03467-9
Collection
Accession number
LOAN:KEATLEY.1:2

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Record createdFebruary 20, 2006
Record URL
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