Inrō
ca. 1775-1850 (made)
Artist/Maker | |
Place of origin |
The inro is a container made up of tiers. Japanese men used them because the traditional Japanese garment, the kimono, had no pockets. From the late 1500s onwards, Japanese men wore the inro suspended from their sash by a silk cord and a netsuke (toggle). They originally used it to hold their seal and ink or a supply of medicines. However, it rapidly became a costly fashion accessory of little or no practical use. Most inro are rectangular with gently curving sides.
Lacquer was most commonly used in the manufacture of inro since it was highly suitable for storing medicines. Lacquer is the sap from the tree Rhus verniciflua that grows mainly in East Asia. After processing, it is applied in many thin layers to a base material. The craft of lacquering, as well as making inro bodies, is highly complex, time-consuming and expensive.
This inro is decorated with autumn plants in gold hiramakie</i> (literally flat sprinkled picture). The makie (sprinkled picture) technique involves forming the design by sprinkling gold powder on to a prepared lacquer surface.
Lacquer was most commonly used in the manufacture of inro since it was highly suitable for storing medicines. Lacquer is the sap from the tree Rhus verniciflua that grows mainly in East Asia. After processing, it is applied in many thin layers to a base material. The craft of lacquering, as well as making inro bodies, is highly complex, time-consuming and expensive.
This inro is decorated with autumn plants in gold hiramakie</i> (literally flat sprinkled picture). The makie (sprinkled picture) technique involves forming the design by sprinkling gold powder on to a prepared lacquer surface.
Object details
Categories | |
Object type | |
Materials and techniques | roiro (highly polished black lacquer ground), with gold hiramaki-e (low relief maki-e) and takamaki-e (high relief maki-e) inlaid with aogai (mother of pearl) |
Brief description | Inrō with decoration depicting atumn plants, lacquer and mother of pearl, Japan, ca. 1775 - 1850 |
Physical description | Inrō comprised of four cases. decorated with autumn flowers in gold lacquer and mother of pearl on a black ground |
Dimensions |
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Style | |
Credit line | Salting Bequest |
Object history | Bequeathed by Mr. George Salting, accessioned in 1910. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project. |
Subject depicted | |
Summary | The inro is a container made up of tiers. Japanese men used them because the traditional Japanese garment, the kimono, had no pockets. From the late 1500s onwards, Japanese men wore the inro suspended from their sash by a silk cord and a netsuke (toggle). They originally used it to hold their seal and ink or a supply of medicines. However, it rapidly became a costly fashion accessory of little or no practical use. Most inro are rectangular with gently curving sides. Lacquer was most commonly used in the manufacture of inro since it was highly suitable for storing medicines. Lacquer is the sap from the tree Rhus verniciflua that grows mainly in East Asia. After processing, it is applied in many thin layers to a base material. The craft of lacquering, as well as making inro bodies, is highly complex, time-consuming and expensive. This inro is decorated with autumn plants in gold hiramakie</i> (literally flat sprinkled picture). The makie (sprinkled picture) technique involves forming the design by sprinkling gold powder on to a prepared lacquer surface. |
Collection | |
Accession number | W.266-1910 |
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Record created | February 20, 2006 |
Record URL |
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