Inrō
1865 (made)
Artist/Maker | |
Place of origin |
The inro is a container made up of tiers. Japanese men used them because the traditional Japanese garment, the kimono, had no pockets. From the late 1500s onwards, Japanese men wore the inro suspended from their sash by a silk cord and a netsuke (toggle). They originally used it to hold their seal and ink or a supply of medicines. However, it rapidly became a costly fashion accessory of little or no practical use.
This inro is part of a unique set of 12 calendar inro by Shibata Zeshin, each representing a different month of the year. All 12 inro are of a different shape and size, while the decoration is carried out in different lacquer techniques.
Zeshin usually referred to a particular month by depicting some aspect of a popular or religious festival that took place at that time. This inro representing the eighth month is made from lacquer imitating a circular inkstick. This time in Japan was renowned for its beautiful moon. At the time of the full moon, offerings were traditionally made to the moon, while people went on excursions to view the moon. They usually indulged in drinking sake and were often inspired to compose poetry. This inro is not only in the form of a full moon, but it also depicts Getto, the traditional capital of the moon.
From the 1700s onwards, many artists signed the inro they made. This example is by Shibata Zeshin (1807-91), one of the most talented and renowned lacquer artists of the 19th century. He was head of a successful workshop with an enormous output.
This inro is part of a unique set of 12 calendar inro by Shibata Zeshin, each representing a different month of the year. All 12 inro are of a different shape and size, while the decoration is carried out in different lacquer techniques.
Zeshin usually referred to a particular month by depicting some aspect of a popular or religious festival that took place at that time. This inro representing the eighth month is made from lacquer imitating a circular inkstick. This time in Japan was renowned for its beautiful moon. At the time of the full moon, offerings were traditionally made to the moon, while people went on excursions to view the moon. They usually indulged in drinking sake and were often inspired to compose poetry. This inro is not only in the form of a full moon, but it also depicts Getto, the traditional capital of the moon.
From the 1700s onwards, many artists signed the inro they made. This example is by Shibata Zeshin (1807-91), one of the most talented and renowned lacquer artists of the 19th century. He was head of a successful workshop with an enormous output.
Object details
Categories | |
Object type | |
Materials and techniques | Roiro (highly polished black lacquer), black hiramaki-e (low relief maki-e), takamaki-e (high relief maki-e)
題目:古墨(仮)W311-1922 寸法:76×78×15
印籠全体を明時代の古墨の形につくる
表に城郭、裏に波と兎をあらわす
黒顔料と少量の黄色顔料を使用
炭粉による高上げの肉取
内側は梨地(3~4号)、合口は青金、上縁は金溜 |
Brief description | Inrō depicting the capital of the moon in black lacquer imitating a worn and chipped ink cake, by Shibata Zeshin (1807-1891), Japan, dated 1865 |
Physical description | Inrō depicting the capital of the moon in black lacquer imitating a worn and chipped ink cake |
Dimensions |
|
Style | |
Credit line | Pfungst Gift |
Subjects depicted | |
Summary | The inro is a container made up of tiers. Japanese men used them because the traditional Japanese garment, the kimono, had no pockets. From the late 1500s onwards, Japanese men wore the inro suspended from their sash by a silk cord and a netsuke (toggle). They originally used it to hold their seal and ink or a supply of medicines. However, it rapidly became a costly fashion accessory of little or no practical use. This inro is part of a unique set of 12 calendar inro by Shibata Zeshin, each representing a different month of the year. All 12 inro are of a different shape and size, while the decoration is carried out in different lacquer techniques. Zeshin usually referred to a particular month by depicting some aspect of a popular or religious festival that took place at that time. This inro representing the eighth month is made from lacquer imitating a circular inkstick. This time in Japan was renowned for its beautiful moon. At the time of the full moon, offerings were traditionally made to the moon, while people went on excursions to view the moon. They usually indulged in drinking sake and were often inspired to compose poetry. This inro is not only in the form of a full moon, but it also depicts Getto, the traditional capital of the moon. From the 1700s onwards, many artists signed the inro they made. This example is by Shibata Zeshin (1807-91), one of the most talented and renowned lacquer artists of the 19th century. He was head of a successful workshop with an enormous output. |
Associated objects | |
Collection | |
Accession number | W.311-1922 |
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Record created | February 13, 2006 |
Record URL |
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