Spellbound
Drawing
1998 (made)
1998 (made)
Artist/Maker | |
Place of origin |
Hew Locke is a sculptor and draughtsman. Although people often interpret his work as deriving from Caribbean or South American traditions, his inspiration has come as much from Europe as anywhere else. He often uses drawing in his sculpture, and his drawings bear the same complicated motifs as those inscribed on his sculpture.
Especially since the later 1990s, his work has addressed the cross-cultural trading that came with the economic relationship between Empire and colonies. In his drawings of fantastical figures, such as this one, dress and stance suggest the imagery of painters such as Velázquez, Hogarth and Goya, as well as of Victorian popular print - all from epochs when British and Spanish Imperialism was at its height. The heads of Locke's figures are often replaced with animal faces or skulls - a device frequently used by Goya. The costume of this figure is decorated with an intense pattern of skulls, interwoven with the words 'import' and 'export'. This brings to mind the imagery of the Mexican Day of The Dead, but also suggests the relationship between death and trade.
Especially since the later 1990s, his work has addressed the cross-cultural trading that came with the economic relationship between Empire and colonies. In his drawings of fantastical figures, such as this one, dress and stance suggest the imagery of painters such as Velázquez, Hogarth and Goya, as well as of Victorian popular print - all from epochs when British and Spanish Imperialism was at its height. The heads of Locke's figures are often replaced with animal faces or skulls - a device frequently used by Goya. The costume of this figure is decorated with an intense pattern of skulls, interwoven with the words 'import' and 'export'. This brings to mind the imagery of the Mexican Day of The Dead, but also suggests the relationship between death and trade.
Object details
Categories | |
Object type | |
Title | Spellbound (assigned by artist) |
Materials and techniques | Charcoal and white chalk on cream coloured card |
Brief description | Hew Locke: 'Spellbound' 1998. Charcoal and white chalk on card. |
Physical description | Drawing of female flamenco dancer in knee-length dress decorated with skulls, words etc., in charcoal and chalk on rectangular, portrait format, card |
Dimensions |
|
Production type | unique |
Marks and inscriptions | 'HL 98' (Signature; date; English; lower right corner of sheet; drawn; charcoal) |
Subjects depicted | |
Summary | Hew Locke is a sculptor and draughtsman. Although people often interpret his work as deriving from Caribbean or South American traditions, his inspiration has come as much from Europe as anywhere else. He often uses drawing in his sculpture, and his drawings bear the same complicated motifs as those inscribed on his sculpture. Especially since the later 1990s, his work has addressed the cross-cultural trading that came with the economic relationship between Empire and colonies. In his drawings of fantastical figures, such as this one, dress and stance suggest the imagery of painters such as Velázquez, Hogarth and Goya, as well as of Victorian popular print - all from epochs when British and Spanish Imperialism was at its height. The heads of Locke's figures are often replaced with animal faces or skulls - a device frequently used by Goya. The costume of this figure is decorated with an intense pattern of skulls, interwoven with the words 'import' and 'export'. This brings to mind the imagery of the Mexican Day of The Dead, but also suggests the relationship between death and trade. |
Bibliographic reference | Everlyn Nicodemus 'Routes to Independence' in 'Routes' Ed. Rose Issa. Catalogue for exhibition, Brunei Gallery Feb-March 1999. Illustrated (pages unnumbered)
Illustrated |
Collection | |
Accession number | E.451-1999 |
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Record created | November 11, 1999 |
Record URL |
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