Tile
1275-1325 (made)
Artist/Maker | |
Place of origin |
The invasions of Iran by pagan Mongols in the thirteenth century brought devastation and disruption, especially in the east. But they were followed by a period of increasing prosperity, as the unification of much of Asia under Mongol rule caused a boom in international trade. One result of this was an increase in the influence of Chinese art on the art of Iran. This included the use of Chinese-inspired imperial symbols like the dragon and phoenix.
For a time after the Mongol conquest, secular imagery developed for palace walls was sometimes used on tiles destined for religious buildings - a striking departure from the usual avoidance of figural imagery in religious contexts. In this example, the Mongol imperial symbol of a phoenix in flight is framed by a quotation from the Qur'an.
For a time after the Mongol conquest, secular imagery developed for palace walls was sometimes used on tiles destined for religious buildings - a striking departure from the usual avoidance of figural imagery in religious contexts. In this example, the Mongol imperial symbol of a phoenix in flight is framed by a quotation from the Qur'an.
Object details
Categories | |
Object type | |
Materials and techniques | Fritware with glazing |
Brief description | Middle East, Ceramic, Tile; Star-shaped tile with phoenix and Qur'anic inscription, Iran, 1275-1375. |
Physical description | Moulded fritware tile in the shape of an eight-pointed star, with a depiction of a phoenix in flight surrounded by a quotation from the Qur'an. Colour in the glaze and lustre over the glaze. |
Dimensions |
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Marks and inscriptions | إِنَّآ أَنزَلۡنَـٰهُ فِى لَيۡلَةِ ٱلۡقَدۡرِ وَمَآ أَدۡرَٮٰكَ مَا لَيۡلَةُ ٱلۡقَدۡرِ لَيۡلَةُ ٱلۡقَدۡرِ خَيۡرٌ۬ مِّنۡ أَلۡفِ شَہۡرٍ۬ تَنَزَّلُ ٱلۡمَلَـٰٓٮِٕكَةُ وَٱلرُّوحُ فِيہَا بِإِذۡنِ رَبِّہِم مِّن كُلِّ أَمۡرٍ۬ (Sura 97)
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Gallery label |
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Production | Ilkhanid period |
Subject depicted | |
Summary | The invasions of Iran by pagan Mongols in the thirteenth century brought devastation and disruption, especially in the east. But they were followed by a period of increasing prosperity, as the unification of much of Asia under Mongol rule caused a boom in international trade. One result of this was an increase in the influence of Chinese art on the art of Iran. This included the use of Chinese-inspired imperial symbols like the dragon and phoenix. For a time after the Mongol conquest, secular imagery developed for palace walls was sometimes used on tiles destined for religious buildings - a striking departure from the usual avoidance of figural imagery in religious contexts. In this example, the Mongol imperial symbol of a phoenix in flight is framed by a quotation from the Qur'an. |
Associated object | |
Collection | |
Accession number | 1025-1892 |
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Record created | January 19, 2006 |
Record URL |
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