18th and 19th century theatrical stars were often celebrated in paintings, prints, drawings, sculptures and ceramics. Small figurines of performers proved lucrative for ceramic firms such as Derby, one of the earliest English porcelain factories, which was established by the French Huguenot Andrew Planché in the mid-1740s. Porcelain manufacturers copied engravings of the most popular performers for small decorative ceramics such as this figurine of Madame Vestris as the Broom Girl, which originally included a twig broom.

The actress, singer and theatre manager Lucia Elizabeth Vestris (1797-1865), was born Elizabeth Bartolozzi in London. Aged sixteen she married the dancer Armand Vestris and although they separated, she kept his name professionally. She could have specialised in opera but instead worked in burlesque and comedy roles, having her earliest success in 1820 in a burlesque, or parody, of Mozart's Don Giovanni called Giovanni In London. She made a name for herself in Paris and London, famous for her 'breeches' roles, portraying men and revealing her well-shaped and much praised legs. She had a huge hit with The Broom Girl! which she first sang at the Haymarket Theatre in 1826. She began manager of the Olympic Theatre in 1830, and after her marriage to Charles Mathews in 1838, managed Covent Garden and the Lyceum Theatres for some time.