The Betrayal
Relief
early 15th century (made)
early 15th century (made)
Artist/Maker | |
Place of origin |
The figure of Christ, with a forked beard is shown standing in the centre of the panel wearing a cloak draped over his right shoulder. The figures of his right hand are held in the traditional attitude of blessing, but the hand is pointing downwards, not raised as might be expected. The bearded Judas stands next to him, placing his left hand on Christ's shoulder to embrace him. A soldier grasps Christ's cloak from the left while St Peter is shown cutting off the right ear of Malchus with his sword.
The unusual downwards pointing position of Christ's right hand is not peculiar to this panel and instead is found in many alabaster panels of the Betrayal. This gesture probably refers to Christ's healing of the ear of Malchus.
The top of the panel has a embattled canopy, a feature popular in the early 15th century. This feature links it to four other panels in the V&A (A.152-1946, A.154-1946, A.171-1946, A.172-1946) which must originally have formed an altarpiece showing scenes from Christ's Passion.
The unusual downwards pointing position of Christ's right hand is not peculiar to this panel and instead is found in many alabaster panels of the Betrayal. This gesture probably refers to Christ's healing of the ear of Malchus.
The top of the panel has a embattled canopy, a feature popular in the early 15th century. This feature links it to four other panels in the V&A (A.152-1946, A.154-1946, A.171-1946, A.172-1946) which must originally have formed an altarpiece showing scenes from Christ's Passion.
Object details
Category | |
Object type | |
Title | The Betrayal |
Materials and techniques | Alabaster, gesso, gilded |
Brief description | Relief, alabaster,The Betrayal, England, early fifteenth century |
Physical description | Relief, alabaster. Battlemented, Christ (left, centre) is embraced by Judas (right centre). On the right, a soldier seizes Christ's robe. Another soldier with a halberd and two civilians stand behind him. On the left, a civilian holds a lantern and an axe. St. Peter, who is striking the prostrate Malchus on the head with his sword, is himself struck by the hand of another civilian. Green and flowered ground. Gilt backing with gesso knobs (mostly now missing). |
Dimensions |
|
Credit line | Given by Dr W.L Hildburgh (F.S.A.) |
Object history | Given by Dr W.L Hildburgh having been on loan since 1930. In the Musée Van Stolk before being sold at auction in Amsterdam in 1928. At an earlier period in the old oratory of the church of the Holy Sepulchre, Palma de Mallorca. With nos. 167, 176, 187 and 202-1946, part of the Passion altarpiece. |
Subject depicted | |
Summary | The figure of Christ, with a forked beard is shown standing in the centre of the panel wearing a cloak draped over his right shoulder. The figures of his right hand are held in the traditional attitude of blessing, but the hand is pointing downwards, not raised as might be expected. The bearded Judas stands next to him, placing his left hand on Christ's shoulder to embrace him. A soldier grasps Christ's cloak from the left while St Peter is shown cutting off the right ear of Malchus with his sword. The unusual downwards pointing position of Christ's right hand is not peculiar to this panel and instead is found in many alabaster panels of the Betrayal. This gesture probably refers to Christ's healing of the ear of Malchus. The top of the panel has a embattled canopy, a feature popular in the early 15th century. This feature links it to four other panels in the V&A (A.152-1946, A.154-1946, A.171-1946, A.172-1946) which must originally have formed an altarpiece showing scenes from Christ's Passion. |
Associated objects | |
Bibliographic references |
|
Collection | |
Accession number | A.171-1946 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | January 13, 2006 |
Record URL |
Download as: JSONIIIF Manifest