Not on display

Edmund Kean as Richard III

Figurine
ca.1840 (made)
Artist/Maker
Place of origin

Earthenware flatbacks and figurines for mantelpiece decoration were first produced in Staffordshire in the late 1830s. The earliest datable figures appear to be of Queen Victoria. Production of earthenware figures continued throughout Victoria's lifetime, but although they were still made after her death in 1901, few appear to have been produced after 1905. During their heyday, however, they were produced in vast numbers, usually modelled after prints. They represented a wide variety of subjects but those of actors and actresses were especially popular.

This figurine represents the celebrated actor Edmund Kean (1787-1833) as Richard III, the role he first played to great acclaim at Drury Lane on 12 February 1814. Kean was the son of an actress at Drury Lane Theatre and as a child he was paraded as an infant phenomenon, billed as ‘The Celebrated Theatrical Child, Edmund Carey, not eleven years old'. He became a strolling player, dancer and tumbler with Richardson's company and worked in the provinces until he made his first adult stage appearance in 1804. It wasn't until 1814 however, when he appeared as Shylock at Drury Lane Theatre that he made his name and became known as the great but erratic actor described by the poet Samuel Taylor Coleridge as revealing Shakespeare by 'flashes of lightning'.


Object details

Categories
Object type
TitleEdmund Kean as Richard III (generic title)
Materials and techniques
Moulded lead-glazed earthenware, with painted decoration
Brief description
Earthenware flat-back figure representing Edmund Kean (1787-1833) as Richard III, which he first played at Drury Lane Theatre, 12 February 1814. Staffordshire, ca.1840
Physical description
A Staffordshire flatback glazed earthenware figurine of Edmund Kean as Richard III. He stands, legs apart, on a cream integral base of irregular elliptical shape with gold line, leaning slightly to the right, with his left leg bent. His right fist is clenched by his side with a hole in it where a rapier would have been (now lost), and his left hand is out to the left and has been remodelled. He wears a royal blue bodice, and white, green and tan striped knee breeches, decorated with the same vertical stripes as those on the short oversleeves of his cape, with black boots with yellow trim, an orange cloak trimmed with ermine fur, and a large white hat with a black cross at the front. He has shoulder length black hair, a moustache and a faint gold crucifix around his neck. Slightly modelled and coloured orange at the back, to represent his cloak.
Dimensions
  • Height: 26.5cm
  • Approx across from left hand to right hand width: 14.5cm
  • Of base width: 12.8cm
  • Of base depth: 6.6cm
Marks and inscriptions
No marks
Credit line
Accepted by HM Government in lieu of Inheritance Tax and allocated to the Victoria and Albert Museum, 1996
Subject depicted
Summary
Earthenware flatbacks and figurines for mantelpiece decoration were first produced in Staffordshire in the late 1830s. The earliest datable figures appear to be of Queen Victoria. Production of earthenware figures continued throughout Victoria's lifetime, but although they were still made after her death in 1901, few appear to have been produced after 1905. During their heyday, however, they were produced in vast numbers, usually modelled after prints. They represented a wide variety of subjects but those of actors and actresses were especially popular.

This figurine represents the celebrated actor Edmund Kean (1787-1833) as Richard III, the role he first played to great acclaim at Drury Lane on 12 February 1814. Kean was the son of an actress at Drury Lane Theatre and as a child he was paraded as an infant phenomenon, billed as ‘The Celebrated Theatrical Child, Edmund Carey, not eleven years old'. He became a strolling player, dancer and tumbler with Richardson's company and worked in the provinces until he made his first adult stage appearance in 1804. It wasn't until 1814 however, when he appeared as Shylock at Drury Lane Theatre that he made his name and became known as the great but erratic actor described by the poet Samuel Taylor Coleridge as revealing Shakespeare by 'flashes of lightning'.


Bibliographic references
  • Staffordshire Portrait Figures of the Victorian Era by P.D. Gordon Pugh, p.426
  • Victorian Staffordshire Figures 1835-1875 Book 1. A & N. Harding
Collection
Accession number
S.1023-1996

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Record createdDecember 29, 2005
Record URL
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