John Philip Kemble as Hamlet
Figurine
ca.1852 (made)
ca.1852 (made)
Artist/Maker | |
Place of origin |
Stars of the 19th century theatre were often celebrated in paintings, prints and drawings, and in ceramic figurines. Several Staffordshire factories specialised in moulded earthenware portrait figurines which were decorated by hand and sold cheaply. This shows the actor-manager John Philip Kemble (1757-1823) as Hamlet, the part in which he first made his name on the stage in Dublin in 1782. The Kemble family dominated the theatrical world in the late 18th and early 19th centuries and when John Philip Kemble made his London debut as Hamlet in September 1783, his sister Sarah Siddons was already regarded as one of the greatest tragedians ever.
The pose was copied from a contemporary engraving published in Tallis's Shakespeare Gallery, 1852-1853, after a painting by Lawrence. At least seven earthenware portrait figurines are known to have been copied from engravings in Tallis's Shakespeare Gallery, known as 'Tallis figures'. They were made in many sizes and are thought to have been made by the Burslem potters Thomas Parr (who was working from 1852 until 1870), John Parr (who worked from 1870 to 1879), or the Kent & Parr firm (who worked from 1880 until 1894). These manufacturers passed the moulds to each other and the figures were produced throughout the Victorian period.
The pose was copied from a contemporary engraving published in Tallis's Shakespeare Gallery, 1852-1853, after a painting by Lawrence. At least seven earthenware portrait figurines are known to have been copied from engravings in Tallis's Shakespeare Gallery, known as 'Tallis figures'. They were made in many sizes and are thought to have been made by the Burslem potters Thomas Parr (who was working from 1852 until 1870), John Parr (who worked from 1870 to 1879), or the Kent & Parr firm (who worked from 1880 until 1894). These manufacturers passed the moulds to each other and the figures were produced throughout the Victorian period.
Object details
Categories | |
Object type | |
Title | John Philip Kemble as Hamlet (generic title) |
Materials and techniques | Moulded and glazed earthenware |
Brief description | Glazed earthenware figurine of John Philip Kemble (1757-1823) as Hamlet, Staffordshire, ca.1852 |
Physical description | Figurine representing John Philip Kemble as Hamlet, standing, holding a skull in his left hand. He wears a blue doublet, striped breeches, an ermine-trimmed cloak and a green-featherd hat. |
Dimensions |
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Credit line | Accepted by HM Government in lieu of Inheritance Tax and allocated to the Victoria and Albert Museum, 1996 |
Production | Known as a Tallis Figure. The pose was copied from an engraving published in Tallis's Shakespeare Gallery 1852-1853. |
Subject depicted | |
Literary reference | Hamlet |
Summary | Stars of the 19th century theatre were often celebrated in paintings, prints and drawings, and in ceramic figurines. Several Staffordshire factories specialised in moulded earthenware portrait figurines which were decorated by hand and sold cheaply. This shows the actor-manager John Philip Kemble (1757-1823) as Hamlet, the part in which he first made his name on the stage in Dublin in 1782. The Kemble family dominated the theatrical world in the late 18th and early 19th centuries and when John Philip Kemble made his London debut as Hamlet in September 1783, his sister Sarah Siddons was already regarded as one of the greatest tragedians ever. The pose was copied from a contemporary engraving published in Tallis's Shakespeare Gallery, 1852-1853, after a painting by Lawrence. At least seven earthenware portrait figurines are known to have been copied from engravings in Tallis's Shakespeare Gallery, known as 'Tallis figures'. They were made in many sizes and are thought to have been made by the Burslem potters Thomas Parr (who was working from 1852 until 1870), John Parr (who worked from 1870 to 1879), or the Kent & Parr firm (who worked from 1880 until 1894). These manufacturers passed the moulds to each other and the figures were produced throughout the Victorian period. |
Bibliographic reference | Staffordshire Portrait Figures of the Victoria Era by P.D. Gordon Pugh, p.65, plate 33. |
Collection | |
Accession number | S.1022-1996 |
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Record created | December 14, 2005 |
Record URL |
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