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Octagonal fountain

Fountain
ca. 1450 (made)
Artist/Maker
Place of origin

The fountain is said to have come 'from a courtyard of a house at Padua.' The lions' mouths are bored for water jets. The style of architectural mouldings, foliate ornament and lions is basically Gothic and suggests a date in the middle of the 15th century.

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Object details

Categories
Object type
TitleOctagonal fountain (generic title)
Materials and techniques
Carved Istrian stone
Brief description
An octagonal fountain carved in two parts, Padua, ca. 1450
Physical description
An octagonal fountain carved in two parts. the upper part of comprises an octagonal basin, carved with foliage and poppy-heads in high relief and with a strip of rope-work decoration around the to, and a support beneath. he two lower parts consist of a short octagonal stem, with four lions seated on protruding platforms around the base. The two parts are joined vertically through the stem. The mouths of th elions are bored for water jets.

One of the four lions has been broken off the central pedestal, and two of the lion masks are chipped. Further chipping has occurred around the upper edge of the basin and elsewhere.
Dimensions
  • Height: 99cm
  • Width: 86.5cm
  • Depth: 86.5cm
Measured for the Medieval and Renaissance Galleries
Gallery label
(1999)
OCTAGONAL FOUNTAIN
Istrian stone
Italy (Padua); about 1450
378-1895

The fountain is said to have come "from a courtyard of a house at Padua". The Lion's mouths are bored for water jets. The style of architectural mouldings, foliate ornament and lions is basically Gothic and suggests a date in the middle of the fifteenth century.
Object history
Purchased in London (executors of the Rt. Hon. G.F.A. Cavendish-Bentinck) Previously in the Cavendish Bentinck collection , Brownsea Island, Poole. Cavendish-Bentinck inventory numbers 21 and 21A as acquired "from the courtyard of a house at Padua".
Production
Although described on acquisition as Paduan, about 1400, the style of the decorative carving is considered by Pope-Hennesy to be consistent with a dating in the second quater of the fifteenth century.
Subjects depicted
Summary
The fountain is said to have come 'from a courtyard of a house at Padua.' The lions' mouths are bored for water jets. The style of architectural mouldings, foliate ornament and lions is basically Gothic and suggests a date in the middle of the 15th century.
Bibliographic references
  • Pope-Hennessy, J. Catalogue of Italian Sculpture in the Victoria and Albert Museum (London, HMSO, 1964) Cat. no. 362 p.332
  • List of Objects in the Art Division South Kensington Museum acquired during the Year 1895. Arranged according to the dates of acquisition, with appendix and indices. London: Her Majesty's Sationary Office. Wyman and Sons. 1897. pp.61
  • Roth, Nancy. 'Now is the Time' Felicity Powell's tribute to John Charles Robinson.' The Medal. No. 42. Spring 2003. pp. 75-82. p. 81. fig. 7 on p. 80
Collection
Accession number
378-1895

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Record createdDecember 1, 2005
Record URL
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