Not currently on display at the V&A

Copy of painting in the caves of Ajanta (cave 17)

Oil Painting
1881-1883 (made)
Artist/Maker
Place of origin

The cave paintings of Ajanta are the oldest surviving examples of painting in India. They depict stories from the lives of the Buddha (the jatakas) and date from the 1st century BC to about AD 480. The cave complex was discovered in 1819 and since then attempts have been made to document the paintings inside them. In 1844 Major Robert Gill was commissioned to make copies. Unfortunately most of the paintings he completed were destroyed in a fire in 1866. To make up for this loss, from 1872, John Griffiths from the Bombay school of Art and seven Indian students spent every winter for the following 13 years at the caves producing approximately 300 paintings, of which this is an example.


Object details

Categories
Object type
Titles
  • Copy of painting in the caves of Ajanta (cave 17) (series title)
  • Copy of painting from the caves of Ajanta (generic title)
Materials and techniques
Oil on canvas
Brief description
Copy of Fresco 'Q' in Cave '17' in the caves of Ajanta by John Griffiths and students from the Bombay School of Art, oil on canvas, 1872-1885, India.
Physical description
This painting has been blackened by fire and water damage. Only parts of it are visible. In the left half of the painting there appears to be a big procession with riders on elephants flying banners and musicians and dancers. On the right hand side of the painting is a house inside which are people carrying pots and trays.
Dimensions
  • Painting height: 2308mm
  • Painting width: 3842mm
  • With frame height: 2333mm
  • With frame width: 3868mm
  • With frame depth: 40mm
Marks and inscriptions
  • cave 17 12'- 7" - 7'-7" (Back of canvas)
  • Bombay Committee Antwerp International Exhibition (11) Loan exhibit Section1 group 1 class 6 government of Bombay Facsimilie of .... Ajanta cave 17 (Q) 7' 7" v 12'7" (Paper label on back of cnvas - removed from stretcher for lining purposes.)
Credit line
Received from the India Office
Object history
Historical significance: This painting depicts scenes from the Indrabrahmana Jataka

Received from the India Office. This acquisition information reflects that found in the Museum records (Asia Department registers and/or Central Inventory) as part of a 2023 provenance research project.
Historical context
The cave paintings of Ajanta are the oldest surviving examples of painting in India. They depict stories from the lives of the Buddha (the jatakas) and date from the 1st century BC to about AD 480. The cave complex was discovered in 1819 and since then attempts have been made to document the paintings inside them. In 1844 Major Robert Gill was commissioned to make copies. Unfortunately most of the paintings he completed were destroyed in a fire in 1866. To make up for this loss, from 1872, John Griffiths from the Bombay school of Art and seven Indian students spent every winter for the following 13 years at the caves producing approximately 300 paintings, of which this is an example.
Subject depicted
Place depicted
Summary
The cave paintings of Ajanta are the oldest surviving examples of painting in India. They depict stories from the lives of the Buddha (the jatakas) and date from the 1st century BC to about AD 480. The cave complex was discovered in 1819 and since then attempts have been made to document the paintings inside them. In 1844 Major Robert Gill was commissioned to make copies. Unfortunately most of the paintings he completed were destroyed in a fire in 1866. To make up for this loss, from 1872, John Griffiths from the Bombay school of Art and seven Indian students spent every winter for the following 13 years at the caves producing approximately 300 paintings, of which this is an example.
Bibliographic references
  • Griffiths, J, The paintings in the Buddhist cave temples of Ajanta, India, 1896
  • Schlingloff, D, Guide to the Ajanta paintings, Vol. 1, New Delhi, 1999.
  • Burgess, J, Notes on the Bauddha Rock-Temples of Ajanta, Bombay, 1879
Collection
Accession number
IS.91-1887

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdNovember 25, 2005
Record URL
Download as: JSONIIIF Manifest