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Print

2002 (made)
Artist/Maker
Place of origin

This is one of a set of six paper cups designed for Imprint, a public art project organised by the Print Center, Philadelphia, in 2002. Artists were invited to produce imagery for billboards, bus shelters and magazine inserts as well as cups. Here the throwaway paper cup is transformed by print into a modest work of art, which was used in selected cafés in the city during the project. Dottie Attie’s contributions reflect her characteristic concern with feminism and issues of male domination.

Object details

Categories
Object type
Materials and techniques
Screen print on card paper
Brief description
Paper cup with 'Resistance and Refusal Mean Consent' over man's face, by Dottie Attie. One of a set of six made for Imprint, a public art project, Philadelphia, 2002.
Physical description
Paper cup depicting a man's face grimacing, eyes closed, mouth wide, across which is printed 'Resistance and Refusal Mean Consent'.
Dimensions
  • Height: 11cm
  • At lip diameter: 9cm
Marks and inscriptions
  • 'Solo Cup Co. Chicago, Ill.,' (Lettered inside the rim at the foot with details of the manufacturers.)
  • 'Imprint a public art project The Print Center. printcenter.org'
  • 'Resistance and Refusal Mean Consent' (Printed over image of man's face.)
Credit line
Given by Rosie Miles
Subjects depicted
Place depicted
Summary
This is one of a set of six paper cups designed for Imprint, a public art project organised by the Print Center, Philadelphia, in 2002. Artists were invited to produce imagery for billboards, bus shelters and magazine inserts as well as cups. Here the throwaway paper cup is transformed by print into a modest work of art, which was used in selected cafés in the city during the project. Dottie Attie’s contributions reflect her characteristic concern with feminism and issues of male domination.
Associated objects
Collection
Accession number
E.373-2005

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Record createdNovember 25, 2005
Record URL
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