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Print

2002 (made)
Artist/Maker
Place of origin

This is one of a set of six paper cups designed for Imprint, a public art project organised by the Print Center, Philadelphia, in 2002. Artists were invited to produce imagery for billboards, bus shelters and magazine inserts as well as cups. Here the throwaway paper cup is transformed by print into a modest work of art, which was used in selected cafés in the city during the project.

While some of the imagery reflects the artists’ characteristic concerns, other artists took the opportunity to look more closely at the power of public advertising. For example, James Mills’ use of the repeated words ‘blah/blah/blah’ provokes questions about the insidious methods by which advertisers attract people and manipulate their thinking. The phrase also suggests that advertising becomes repetitive and invisible unless it resorts to shock tactics.

Object details

Categories
Object type
Materials and techniques
Screen print on card paper
Brief description
Paper cup lettered 'blah/blah/blah', by James Mills. One of a set of six made for Imprint, a public art project, Philadelphia, 2002.
Physical description
Paper cup lettered 'blah/blah/blah'.

E.370(James Mills)
Dimensions
  • Height: 11cm
  • At lip diameter: 9cm
Marks and inscriptions
  • 'Solo Cup Co. Chicago, Ill.,' (Lettered inside the rim at the foot with details of the manufacturers.)
  • 'Imprint a public art project The Print Center. printcenter.org'
  • 'blah/blah/blah' (Lettered on cup)
Credit line
Given by Rosie Miles
Subjects depicted
Place depicted
Summary
This is one of a set of six paper cups designed for Imprint, a public art project organised by the Print Center, Philadelphia, in 2002. Artists were invited to produce imagery for billboards, bus shelters and magazine inserts as well as cups. Here the throwaway paper cup is transformed by print into a modest work of art, which was used in selected cafés in the city during the project.

While some of the imagery reflects the artists’ characteristic concerns, other artists took the opportunity to look more closely at the power of public advertising. For example, James Mills’ use of the repeated words ‘blah/blah/blah’ provokes questions about the insidious methods by which advertisers attract people and manipulate their thinking. The phrase also suggests that advertising becomes repetitive and invisible unless it resorts to shock tactics.
Associated objects
Collection
Accession number
E.370-2005

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Record createdNovember 25, 2005
Record URL
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