2002 (made)
Artist/Maker | |
Place of origin |
This is one of a set of six paper cups designed for Imprint, a public art project organised by the Print Center, Philadelphia, in 2002. Artists were invited to produce imagery for billboards, bus shelters and magazine inserts as well as cups. Here the throwaway paper cup is transformed by print into a modest work of art, which was used in selected cafés in the city during the project.
While some of the imagery reflects the artists’ characteristic concerns, other artists took the opportunity to look more closely at the power of public advertising. For example, James Mills’ use of the repeated words ‘blah/blah/blah’ provokes questions about the insidious methods by which advertisers attract people and manipulate their thinking. The phrase also suggests that advertising becomes repetitive and invisible unless it resorts to shock tactics.
While some of the imagery reflects the artists’ characteristic concerns, other artists took the opportunity to look more closely at the power of public advertising. For example, James Mills’ use of the repeated words ‘blah/blah/blah’ provokes questions about the insidious methods by which advertisers attract people and manipulate their thinking. The phrase also suggests that advertising becomes repetitive and invisible unless it resorts to shock tactics.
Object details
Categories | |
Object type | |
Materials and techniques | Screen print on card paper |
Brief description | Paper cup lettered 'blah/blah/blah', by James Mills. One of a set of six made for Imprint, a public art project, Philadelphia, 2002. |
Physical description | Paper cup lettered 'blah/blah/blah'. E.370(James Mills) |
Dimensions |
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Marks and inscriptions |
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Credit line | Given by Rosie Miles |
Subjects depicted | |
Place depicted | |
Summary | This is one of a set of six paper cups designed for Imprint, a public art project organised by the Print Center, Philadelphia, in 2002. Artists were invited to produce imagery for billboards, bus shelters and magazine inserts as well as cups. Here the throwaway paper cup is transformed by print into a modest work of art, which was used in selected cafés in the city during the project. While some of the imagery reflects the artists’ characteristic concerns, other artists took the opportunity to look more closely at the power of public advertising. For example, James Mills’ use of the repeated words ‘blah/blah/blah’ provokes questions about the insidious methods by which advertisers attract people and manipulate their thinking. The phrase also suggests that advertising becomes repetitive and invisible unless it resorts to shock tactics. |
Associated objects |
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Collection | |
Accession number | E.370-2005 |
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Record created | November 25, 2005 |
Record URL |
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