Not currently on display at the V&A

Copy of painting inside the caves of Ajanta (cave 9)

Oil Painting
1881-1883 (made)
Artist/Maker
Place of origin

This is a copy of a painting in cave 9 at Ajanta. The white patches are areas where conservation work is required.

The cave paintings of Ajanta are the oldest surviving examples of painting in India. They date from the 1st century BC to about AD 480 and depict stories from the lives of the Buddha (the Jatakas). This painting shows scenes from the Mahagovinda Jataka.

The cave complex was discovered in 1819 and attempts were made to document the paintings inside them. In 1844 Major Robert Gill was commissioned to make copies. Unfortunately most of the paintings he completed were destroyed in a fire in 1866. To make up for this loss, from 1872 to 1885 John Griffiths from the Bombay School of Art and seven Indian students spent every winter at the caves. This is one of the approximately 300 paintings they produced.


Object details

Categories
Object type
TitleCopy of painting inside the caves of Ajanta (cave 9) (series title)
Materials and techniques
Oil on canvas
Brief description
Copy of painting in the caves of Ajanta by John Griffiths and students of the Bombay School of Art.
Physical description
On the right hand side of the painting there are a group of men having a discussion. There are two men walking towards the group and a celestial figure flying above them. Beside the celestial figure is a small sketch of a building with columns. On the left hand side of the painting are two figures seated under a tree.
Dimensions
  • Painting height: 1215mm
  • Painting width: 1945mm
  • Painting depth: 34mm
  • Frame height: 1240mm
  • Frame width: 1970mm
  • Frame depth: 40mm
Marks and inscriptions
'Ajanta / Cave 9, H / 4' 6"' (On back of convas)
Object history
Historical significance: This paintings inside the caves tell stories from the lives of the Buddha. This painting depicts scenes from the Mahagovinda Jataka.

Narrative:
After the death of the king, a wise chancellor called Mahagovinda divides the empire between the king’s son and six other princes who are close friends of the prince.

The god Brahma flies over his palace to answer Mahagovinda’s questions about re-birth in heaven.
Historical context
The cave paintings of Ajanta are the oldest surviving examples of painting in India. They depict stories from the lives of the Buddha (the jatakas) and date from the 1st century BC to about AD 480. The cave complex was discovered in 1819 and since then attempts have been made to document the paintings inside them. In 1844 Major Robert Gill was commissioned to make copies. Unfortunately most of the paintings he completed were destroyed in a fire in 1866. To make up for this loss, from 1872, John Griffiths from the Bombay school of Art and seven Indian students spent every winter for the following 13 years at the caves producing approximately 300 paintings, of which this is an example.
Production
Painted by John Griffiths and students from the Bombay School of Art
Subject depicted
Place depicted
Summary
This is a copy of a painting in cave 9 at Ajanta. The white patches are areas where conservation work is required.

The cave paintings of Ajanta are the oldest surviving examples of painting in India. They date from the 1st century BC to about AD 480 and depict stories from the lives of the Buddha (the Jatakas). This painting shows scenes from the Mahagovinda Jataka.

The cave complex was discovered in 1819 and attempts were made to document the paintings inside them. In 1844 Major Robert Gill was commissioned to make copies. Unfortunately most of the paintings he completed were destroyed in a fire in 1866. To make up for this loss, from 1872 to 1885 John Griffiths from the Bombay School of Art and seven Indian students spent every winter at the caves. This is one of the approximately 300 paintings they produced.
Bibliographic references
  • Griffiths, J, The paintings in the Buddhist cave temples of Ajanta, India, 1896
  • Burgess, J, Notes on the Bauddha Rock-Temples of Ajanta, Bombay, 1879
  • Schlingloff, D, Guide to the Ajanta paintings, Vol. 1, New Delhi, 1999.
Collection
Accession number
IS.137-1885

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Record createdNovember 24, 2005
Record URL
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