Untitled [two boys in shorts] from the series On a Good Day
Photograph
1970s (photographed), 2010 (printed)
1970s (photographed), 2010 (printed)
Artist/Maker | |
Place of origin |
By the 1970s, American photographer Al Vandenberg (1932-2012) had abandoned his commercial career to take street photographs. Having studied photography in New York alongside Alexey Brodovitch, Richard Avedon and Bruce Davidson, Vandenberg became a successful commercial photographer and art director working in both New York and London during the 1960s. After a period of travelling, he settled in London in 1974 with the aim of using his photographic skills to create portraits of city life without a commercial agenda.
Vandenberg’s series On a Good Day documents a wide variety of Londoners. His technique of photographing people against a wall, encouraging them to engage in the process, created uplifting images in which his subjects appear relaxed and often smiling. Vandenberg saw the smile as a leveller, emphasising that whether he was taking a photograph ‘on the High Street of London or in the hills of Laos - a smile is always a smile.’
The V&A acquired fifteen photographs from Al Vandenberg’s On a Good Day series as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives.
Vandenberg’s series On a Good Day documents a wide variety of Londoners. His technique of photographing people against a wall, encouraging them to engage in the process, created uplifting images in which his subjects appear relaxed and often smiling. Vandenberg saw the smile as a leveller, emphasising that whether he was taking a photograph ‘on the High Street of London or in the hills of Laos - a smile is always a smile.’
The V&A acquired fifteen photographs from Al Vandenberg’s On a Good Day series as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives.
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Object details
Categories | |
Object type | |
Title | Untitled [two boys in shorts] from the series On a Good Day (assigned by artist) |
Materials and techniques | Gelatin silver print |
Brief description | Photograph by Al Vandenberg, 'Untitled' [two boys in shorts] from the series On a Good Day, gelatin silver print, London, 1970s, printed 2010 |
Physical description | A black and white photograph of two black boys wearing shorts with bare chests standing against a wall. |
Dimensions |
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Style | |
Gallery label | Text label for the exhibition, 'Staying Power: Photographs of Black British Experience, 1950s - 1990s
16 February – 24 May 2015
Al Vandenberg (1932 – 2012)
From the series On a Good Day
1970 – 79
Vandenberg worked as a commercial photographer
in New York in the 1960s. He later settled in London,
where he set out to document city life, combining street
photography with portraiture. He often used shopfronts
and window displays as backdrops. Although the
photographs were made on the street, the subjects are
carefully posed and appear engaged in the process.
Gelatin silver prints (printed 2010)
Museum nos. E.423 to 426, 429, 431, 432, 434 to 436-2010(16/02/2015 - 24/05/2015) |
Credit line | Given in part by Al Vandenberg and Eric Franck. Supported by The National Lottery Heritage Fund. |
Object history | The V&A acquired this photograph as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives. |
Subjects depicted | |
Summary | By the 1970s, American photographer Al Vandenberg (1932-2012) had abandoned his commercial career to take street photographs. Having studied photography in New York alongside Alexey Brodovitch, Richard Avedon and Bruce Davidson, Vandenberg became a successful commercial photographer and art director working in both New York and London during the 1960s. After a period of travelling, he settled in London in 1974 with the aim of using his photographic skills to create portraits of city life without a commercial agenda. Vandenberg’s series On a Good Day documents a wide variety of Londoners. His technique of photographing people against a wall, encouraging them to engage in the process, created uplifting images in which his subjects appear relaxed and often smiling. Vandenberg saw the smile as a leveller, emphasising that whether he was taking a photograph ‘on the High Street of London or in the hills of Laos - a smile is always a smile.’ The V&A acquired fifteen photographs from Al Vandenberg’s On a Good Day series as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives. |
Associated objects |
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Collection | |
Accession number | E.423-2010 |
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Record created | February 1, 2011 |
Record URL |
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