Michael Klim, Swimmer, Australia
Photograph
1999 (photographed)
1999 (photographed)
| Artist/Maker | |
| Place of origin |
Jonathan Anderson and Edwin Low have worked as the photographic team of Anderson & Low since 1990. Based in London, the two have collaborated on a broad range of photographic projects. The ten platinum-palladium prints in this portfolio, taken from the two series 'Athletes' and 'Gymnasts', focuses on various aspects of sport and the lives of athletes from many countries. In their reference to Hellenic sculpture and classical forms, and dramatic use of light and shadow, these images evoke 1930s nude studies by leading European photographers such as Baron George Hoyningen-Huene and George Platt Lynes and the prevalent 'healthy body culture' of the late 1920s and 1930s.
Object details
| Categories | |
| Object type | |
| Title | Michael Klim, Swimmer, Australia (assigned by artist) |
| Materials and techniques | platinum-palladium print |
| Brief description | Photograph, 'Michael Klim, Swimmer, Australia' by Anderson and Low, platinum-palladium print, 2001, from the 'X Prints' portfolio, 2008. |
| Physical description | A platinum-palladium photograph of a man with goggles in swim trunks with hands in fists standing at the bottom of a pool filled with water. There are lane markers on the floor of the pool and floating above the water. |
| Dimensions |
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| Copy number | 4/10 |
| Credit line | Gift of Bruno Wang |
| Production | This is one of ten platinum-palladium photographs included in Anderson & Low's portfolio 'X Prints' from the two series 'Athletes' and 'Gymnasts' and published in 2008 |
| Subject depicted | |
| Summary | Jonathan Anderson and Edwin Low have worked as the photographic team of Anderson & Low since 1990. Based in London, the two have collaborated on a broad range of photographic projects. The ten platinum-palladium prints in this portfolio, taken from the two series 'Athletes' and 'Gymnasts', focuses on various aspects of sport and the lives of athletes from many countries. In their reference to Hellenic sculpture and classical forms, and dramatic use of light and shadow, these images evoke 1930s nude studies by leading European photographers such as Baron George Hoyningen-Huene and George Platt Lynes and the prevalent 'healthy body culture' of the late 1920s and 1930s. |
| Collection | |
| Accession number | E.250:6-2009 |
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| Record created | February 1, 2011 |
| Record URL |
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