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Print

2002 (made)
Artist/Maker
Place of origin

This is one of a set of six paper cups which were designed for Imprint, a public art project organised by the Print Center, Philadelphia, in 2002. Artists were invited to produce imagery for billboards, bus shelters and magazine inserts, as well as cups. Here the throw-away paper cup, which was used in selected cafes in the city during the project, is transformed by print into a modest work of art.

While some of the imagery reflects the artists' characteristic concerns (for example Dottie Attie's contributions related to feminism and issues of male domination, and Virgil Marti explored the impact of decoration and beauty in public spaces), other artists used this opportunity to look more closely the power of public advertising. For example James Mills' use of the repeated words 'blah/blah/blah' was designed to provoke questions about the insidious methods by which advertisers attract us and manipulate our thinking but it also demonstrates that advertising becomes repetitive and invisible unless it resorts to shock tactics.

Object details

Categories
Object type
Materials and techniques
Screen print on card paper
Brief description
Paper cup with artists' names and project information, one of a set of six made for Imprint, a public art project, Philadelphia, 2002.
Physical description
Paper cup bearing printed information about the project and the names of all contributing artists, including John Coplans who did not contribute to the paper cups element of the project. Part of the text reads 'you are drinking from an artist designed coffee cup created for Imprint that shows art in unexpected places'.
Dimensions
  • Height: 11cm
  • At lip diameter: 9cm
Marks and inscriptions
  • 'Solo Cup Co. Chicago, Ill.,' (Lettered inside the rim at the foot with details of the manufacturers.)
  • 'Imprint a public art project The Print Center. printcenter.org'
Credit line
Given by Rosie Miles
Subjects depicted
Place depicted
Summary
This is one of a set of six paper cups which were designed for Imprint, a public art project organised by the Print Center, Philadelphia, in 2002. Artists were invited to produce imagery for billboards, bus shelters and magazine inserts, as well as cups. Here the throw-away paper cup, which was used in selected cafes in the city during the project, is transformed by print into a modest work of art.

While some of the imagery reflects the artists' characteristic concerns (for example Dottie Attie's contributions related to feminism and issues of male domination, and Virgil Marti explored the impact of decoration and beauty in public spaces), other artists used this opportunity to look more closely the power of public advertising. For example James Mills' use of the repeated words 'blah/blah/blah' was designed to provoke questions about the insidious methods by which advertisers attract us and manipulate our thinking but it also demonstrates that advertising becomes repetitive and invisible unless it resorts to shock tactics.
Associated objects
Collection
Accession number
E.368-2005

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Record createdNovember 20, 2005
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